Blue Violet - 'Poster Girl'
Blue Violet pours their heart and soul into their new single ‘'Poster Girl’’
The iconic due is back with the heartfelt release ‘Poster Girl’ following the success of their last single ‘’Asylum’’ dropped last November, yet again collaborating with the renowned producer Rob Ellis (PJ Harvey, Bat For Lashes). The Anglo-Scottish couple, formerly known as Broken Bones Matilda, blends influences from The Mamas & Papas and Fleetwood Mac into their own modern twist.
In their cinematic new single, they enclose passion and heartache through Sam’s melancholy guitar riffs and Sarah’s hearty vocals, setting out a nostalgic atmosphere from the start. Reminiscing on her tales with a past lover, the captivating sweetness in the singer’s voice complements the quirky aesthetics of the music video, evoking feelings of love and sorrow.
The dreamy yet gloomy visuals of the video capture the nostalgic mood of the lyrics and its narrative of heartbreak, plunging into a world of memories. With touches of indie and folk, the track is packed with dynamism as the melody evolves with a slightly upbeat twist in its second part when the drums are introduced.
This bittersweet story is as sad as it is empowering, as the female protagonist narrates her journey of fighting for her rights and finding her own way through life. This is clearly reflected in the song’s tempo as it then progresses even further in the third part to an intoxicating melody with an alluring end. Although Blue Violet is yet to release upcoming tour dates, the new single builds momentum for the duo and brings anticipation to the table as the pair starts the year with promises of a hit-loaded debut album coming out this April. Titled ‘LATE NIGHT CALLS’, expect hybrid genres, glorious song writing and an array of different themes in the pair’s first album.
Words by Marcela Siquara
This week’s Artist of the Week is girli - who has just released her third studio album ‘it’s just my opinion’.
Love Rarely bring an intense emo math rock set to Highbury/Islington’s Grace that shows they’re ready for bigger things; with excellent support from the likes of Sunday Best – we’ve just witnessed the first London headline of the next great hardcore band
After years of playing shows, reminiscing over their old bangers and becoming more musically complete than ever, Basement are back after 8 years with their new album ‘WIRED’, showing them off at their most profound and well-versed to date while still maintaining that brutal tenacity they have become renowned for.
Hailing from the infamous city in the north-east of England, the trio have brought their “unequivocally Geordie” anthems straight to the forefront of a London dominated scene.
It’s hard to believe that she’s already been making music for over ten years now, but this is not girli’s first rodeo.
Three years on from their last project, Ohio’s own alternative underdogs take another medley of influences and weld it into a transient and catchy electro-punk masterpiece to usher in their all-new album ‘Halcyon Blues’.
Dundalk shoegazers Just Mustard are as mesmerising as ever, playing a sold-out show at London’s Electric Brixton on Wednesday night.
On ‘Concrete Line’, Cutscene come with the kind of moody, poetic rock that has flourished in the UK and Ireland in recent years.
On the streets of Brighton, a voice once stopped people in their tracks. This September, it’s set to stop a city.
2026’s Brick Lane Jazz Festival, we found joyously rich cultural expression living and breathing in a defiant act of community, a conversation that’s still being written.
Ahead of her new album, Loveland, Suki Waterhouse returns with her latest single ‘Tiny Raisin’.