It’s been a long seven years to get here, but CHALK have finally arrived; today Belfast, tomorrow the world.
Philadelphia's Sweet Pill overcome adversity in heartfelt emo return.
The Halifax-formed, Manchester-based indie band return for their fourth record: the ornate, dynamic, boundary-pushing Only You Left.
Attempted Martyr is noise rock at its most rage-inducing; a battle-cry against the state of the world that asks you: we’re in a car that’s already hurtling off a cliff. What are you going to do about it?
In a world that feels quite heavy right now, we all need a little more Kiss All The Time. Disco, Occasionally.
Newcomer Grit-pop duo Snake Eyes make a brash and individual statement with their debut album ‘Cash Rich’.
ERRA arrives with a record that reflects the constant state of flux that humans live in, caught between the past and present and different emotions. ‘Silence outlives the earth’ arrives to test the band’s musical and thematic acuity to its limit – embracing the constant state of flux that defines us all.
25 years of Gorillaz, and they’re still reaching new heights. The stunning, globetrotting world of their ninth album The Mountain is a moving, culturally and musically rich confrontation of death, and one of 2026’s best releases so far.
Carpenter Brut’s cinematic grand finale is rich in gothic text and pure synthwave melodies – it’s purely an artist’s vision and we’re all the better for having them.
No strings attached, no blocks, no holding back; just pure, plain, raw autonomy.
One of electronic music's most visionary artist calls for a moment of stillness with 'Future Quiet' - the 23rd studio record from the Harlem-born prodigy.
Missouri post-hardcore four-piece find their version of heavy in seventh record, A.R.S.O.N.
Cardinals are finally ready to take flight, and there’s no masking that Masquerade will go down as one of the year’s best debut albums.
Angel Du$t are back and more illusively creative than ever! ‘Cold 2 the touch’, out February 13th, is a masterful blend of musical fluidity.
Maybe the most important punk release of the year.
Ist Ist’s fifth album to date shows they’re ready for the big time with a growing fanbase in the EU and UK and an album that echoes Joy Division and 80s new wave synth to propel you into an epic experience of a lifetime.
Paige Kennedy’s four-song queer pop excess of lust, longing and self-worth in the face of heartbreak is perfect for fans of Christine and the Queens, Talking Heads & Lynks – a resounding success.
There are few bolder, more abrasive bands than MØL – alt metal visionaries from Denmark with a real bite to them; and this record is unlike anything you’ve heard from them before.
Simply refusing to stop picking up speed, Only The Poets continue to gather up momentum with the release of their debut album ‘And I’d Do It Again’.
Explosive, vivacious and full of energy, The Molotovs debut album is impossible to ignore.
Demob Happy’s ‘The Grown Ups Are Talking’ promises a riff-laden carnival from the first note, with a healthy measure of old-school psychedelia to back up the hedonistic spirit infused in each song.
Following a string of critically acclaimed EPs throughout the 2020s, it was time for Canadian duo Softcult to finally bring an album into the world.
Giving the masses more and more, the appropriately named More Forever continues their streak of putting out trademark grunge-drenched flows with twelve new tracks.
Modern emo heir apparents Joyce Manor release their 8th studio album with an amalgamation of inspiration to create an honest blend of beautifully handcrafted songs.
Celebrating life’s simple joys, The Paper Kites’ new album ‘If You Go There, I Hope You Find It’ is the perfect remedy for the world we find ourselves in.
Death in the Business of Whaling finds Searows lost at sea, surfacing with his most powerful work to date.
Madra Salach’s debut EP, It’s a Hell of an Age, is a piece of work so devastatingly beautiful that it will haunt you for days after your first listen.
Greywind’s long-gestating new record is bruised, defiant and alive. Worth the wait? You bet.
The former four-piece return as a duo, swapping out punkish anthems for something more introspective.
