After years of playing shows, reminiscing over their old bangers and becoming more musically complete than ever, Basement are back after 8 years with their new album ‘WIRED’, showing them off at their most profound and well-versed to date while still maintaining that brutal tenacity they have become renowned for.
It’s hard to believe that she’s already been making music for over ten years now, but this is not girli’s first rodeo.
Belfast-Derry trio Kneecap are holding back no punches with third album FENIAN, it’s bolder, darker, funnier than ever…and undoubtedly their best work yet.
Musically astute and effortlessly emotive emo legends American Football debut their most theatrical and moving compositions to date.
There is something about Noah Kahan’s new album that feels familiar. “The Great Divide” is comforting in a way that’s hard to manufacture.
The rock and roll godfathers, Foo Fighters, dust off their distortion pedals and sink their teeth into a vicious and refreshing new sound in their new album ‘Your Favourite Toy’.
After 2 decades of breaking bones and building communities, TERROR return with ’Still Suffer’, showing each and every fan that they don’t plan on slowing down any time soon.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.
Holly Humberstone’s Cruel World is cemented in love, and all of the highs and lows that come with it.
Love Rarely fuses math rock and hardcore together in a brazenly fearless new debut that establishes them as an instant new favourite.
Wax Head lead an Osees-infused revolution that makes remarkable usage of a drummer-fronted psych-punk quartet.
Three years after her last full-length release, Arlo Parks returns with Ambiguous Desire, a record that further cements her place as one of the UK’s most emotionally transparent voices.
Nearly twenty years on, Scouting For Girls prove their feel-good formula still works.
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.
Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement.
The Scratch have both bite and bark on their latest album, Pull Like A Dog.
It’s been a long seven years to get here, but CHALK have finally arrived; today Belfast, tomorrow the world.
Philadelphia's Sweet Pill overcome adversity in heartfelt emo return.
The Halifax-formed, Manchester-based indie band return for their fourth record: the ornate, dynamic, boundary-pushing Only You Left.
Attempted Martyr is noise rock at its most rage-inducing; a battle-cry against the state of the world that asks you: we’re in a car that’s already hurtling off a cliff. What are you going to do about it?
In a world that feels quite heavy right now, we all need a little more Kiss All The Time. Disco, Occasionally.
Newcomer Grit-pop duo Snake Eyes make a brash and individual statement with their debut album ‘Cash Rich’.
ERRA arrives with a record that reflects the constant state of flux that humans live in, caught between the past and present and different emotions. ‘Silence outlives the earth’ arrives to test the band’s musical and thematic acuity to its limit – embracing the constant state of flux that defines us all.
