Wax Head lead an Osees-infused revolution that makes remarkable usage of a drummer-fronted psych-punk quartet.
Three years after her last full-length release, Arlo Parks returns with Ambiguous Desire, a record that further cements her place as one of the UK’s most emotionally transparent voices.
Nearly twenty years on, Scouting For Girls prove their feel-good formula still works.
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.
Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement.
The Scratch have both bite and bark on their latest album, Pull Like A Dog.
It’s been a long seven years to get here, but CHALK have finally arrived; today Belfast, tomorrow the world.
Philadelphia's Sweet Pill overcome adversity in heartfelt emo return.
The Halifax-formed, Manchester-based indie band return for their fourth record: the ornate, dynamic, boundary-pushing Only You Left.
Attempted Martyr is noise rock at its most rage-inducing; a battle-cry against the state of the world that asks you: we’re in a car that’s already hurtling off a cliff. What are you going to do about it?
In a world that feels quite heavy right now, we all need a little more Kiss All The Time. Disco, Occasionally.
Newcomer Grit-pop duo Snake Eyes make a brash and individual statement with their debut album ‘Cash Rich’.
ERRA arrives with a record that reflects the constant state of flux that humans live in, caught between the past and present and different emotions. ‘Silence outlives the earth’ arrives to test the band’s musical and thematic acuity to its limit – embracing the constant state of flux that defines us all.
25 years of Gorillaz, and they’re still reaching new heights. The stunning, globetrotting world of their ninth album The Mountain is a moving, culturally and musically rich confrontation of death, and one of 2026’s best releases so far.
Carpenter Brut’s cinematic grand finale is rich in gothic text and pure synthwave melodies – it’s purely an artist’s vision and we’re all the better for having them.
No strings attached, no blocks, no holding back; just pure, plain, raw autonomy.
One of electronic music's most visionary artist calls for a moment of stillness with 'Future Quiet' - the 23rd studio record from the Harlem-born prodigy.
Missouri post-hardcore four-piece find their version of heavy in seventh record, A.R.S.O.N.
Cardinals are finally ready to take flight, and there’s no masking that Masquerade will go down as one of the year’s best debut albums.
Angel Du$t are back and more illusively creative than ever! ‘Cold 2 the touch’, out February 13th, is a masterful blend of musical fluidity.
Maybe the most important punk release of the year.
Ist Ist’s fifth album to date shows they’re ready for the big time with a growing fanbase in the EU and UK and an album that echoes Joy Division and 80s new wave synth to propel you into an epic experience of a lifetime.
Paige Kennedy’s four-song queer pop excess of lust, longing and self-worth in the face of heartbreak is perfect for fans of Christine and the Queens, Talking Heads & Lynks – a resounding success.
There are few bolder, more abrasive bands than MØL – alt metal visionaries from Denmark with a real bite to them; and this record is unlike anything you’ve heard from them before.
Simply refusing to stop picking up speed, Only The Poets continue to gather up momentum with the release of their debut album ‘And I’d Do It Again’.
