
Somebody’s Child embarks on a bold new chapter with their sophomore album, When Youth Fades Away, a deeply introspective and sonically adventurous exploration of the inevitable passage of time and the shifting perspectives that come with it.
A history lesson for the ages, Lonnie Holley’s new album ‘Tonky’ cements itself as one of the most important releases this year.
Twenty years since their conception, The Horrors reprise their role as a definitive sound of the decade with their sixth, Night Life.
For Melancholy Brunettes (& Sad Women) by Japanese Breakfast: an intimate look on melancholy and the recurrent thought of leaving it all behind.
Polly Money has perfected the art of blending heartfelt emotion with irresistible, feel-good beats in her new EP, T-Shirt Nothing Else, delivering tracks that will keep you moving and vibing long after the music ends.
Brian D’Addario of The Lemon Twigs releases debut solo album ‘Till The Morning’, and it's positively divine.
The Slow Readers Club haven't just raised the bar with their seventh studio album - they've set it higher than ever.
Liverpool up-and-comers release third "Lust for Life..." in a sprawling collage of indie, post-rock and hyper-pop destined to hit you in the face and leave.
Some bands are non-stop in the metal scene. As trends and sounds come and go, the best either move with the times or risk losing their popularity and their momentum - this was never a worry for Canadian act Spiritbox, however.
Toronto duo return with their low poly 8-bit bite of doom and sadness in Fake Moon.
Indie-pop artist Mia Wray releases her colourful debut album ‘hi, it’s nice to meet me’ .
Coheed and Cambria have rushed back onto the airwaves with their eleventh studio album, ‘The Father Of Make Believe’ — and it’s everything a fan could hope for.
Folk darling Natalie Wildgoose signals the start of spring with latest EP release.
Yearning debut from Nottingham-based alt-country/indie quartet Divorce plays homage to place and home.
HotWax deliver a hot shock with their pacemaker destroying debut album.
For American rockers Alter Bridge, they have managed to navigate every twist and turn in their industry and have made it to a memorable milestone: celebrating the 20th anniversary of their debut record.
Bob Mould will not have been stuck for grist for his thematic mill whilst preparing Here We Go Crazy, his 15th solo album.
Few debut albums arrive with the quiet confidence of Roxwell, the much-anticipated first full-length release from London’s rising star Matilda Mann.
The Lathums return with a record that explores happiness, pain, and optimism in a manner that solidifies them as one of the country's best indie bands.
Alice-Lily delivers a jazzy ode to love and friendship with her latest project, Players, Parties & Platonic Love, a record brimming with warmth, nostalgia, and undeniable charm.
A machine that can’t be stopped. The latest artist to emerge from the endless pool is Irish indie electronic artist Annie-Dog.
serpentwithfeet is starting 2025 the same way he started 2024: with a new album. Not just any album, but the sequel to last year’s album GRIP.
Hull based band bdrmm step into new territory with their beautifully immersive new album ‘Microtonic’.
Overpass continue their hot streak with the release of their brilliant second EP, ‘Dependent’.
Sam Fender returns with his incredible third album, ‘People Watching’, which is set to propel him to even greater heights.
Killswitch Engage's cross-genre appeal is broad and a testament to their longevity that has seen them live up to the hype of a long-awaited return; built up with plenty of anger after over six years away.
The Sherlocks are honing in on their craft, solidifying themselves as one of indie rocks essentials.
Hands Like Houses soar through the skies on the wings of their new vocalist, Josh Raven, with fifth album ‘Atmospherics’.
A strong statement album that follows the trend of a variety of bands formed in the 90s coming to reckoning with the transition between the analogue and the online and the growing sense of isolation that comes with that.
Pulsating, Denver, rock trio, The Velveteers pull out all the stops and replace them with daggers on their much awaited sophomore project, A Million Knives.