The Avalanches turn old TV ads into their most ambitious album yet.

Heartbreak, sobriety and self forgiveness: Rachel Chinouriri grows up in public.

Doom, dystopia and a sense of hope that feels scarily out of reach in Dopamine Chamber sees Fontaines D.C. cementing themselves not just as one of the best, but as THE best there is.

Loud, infectious, poignant, confident,  reflective, Basht. knock down all expectations and then some with debut album, Poor Advice. 

There will always be something inherently bittersweet about listening to a band’s final album.

Guitars, guilt and a Paul Weller inspired cover: Jamie T faces his ghosts.

The perfect call-to-arms for anyone who thinks guitar-led music is dead. 

Scathing both in musical approach and lyrical outlook, Nobody’s Coming to Save You isn’t for the faint of heart, but Gurriers know that being artists who can locate their spine speaks volumes.

Freak Slug turns a past life reading into her most complete album yet.

Tears of happiness, grief, catharsis and heartbreak - feel it all with Lizzy McAlpine’s ‘Angel’. 

With a spirit of joy, freedom and possibility at it’s heart, Ezra Collective prove once again that music is medicine with their album ‘Here Because of Hope’.

A multi-layered collection that scales the renewed quartet’s ambition back up, setting the stage for a band who have finally regained their footing. This party’s far from over.

Destined to be on every ‘For You’ page, Natalie Imbruglia triumphs with new album ‘Algorithm’.

Seeking to understand what it is to be human, Paris Paloma releases sophomore album ‘Fatal Flaw’.