Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’. 

The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.

Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.

Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it. 

U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.

Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement. 

The Scratch have both bite and bark on their latest album, Pull Like A Dog. 

It’s been a long seven years to get here, but CHALK have finally arrived; today Belfast, tomorrow the world.

Philadelphia's Sweet Pill overcome adversity in heartfelt emo return.

The Halifax-formed, Manchester-based indie band return for their fourth record: the ornate, dynamic, boundary-pushing Only You Left.

Attempted Martyr is noise rock at its most rage-inducing; a battle-cry against the state of the world that asks you: we’re in a car that’s already hurtling off a cliff. What are you going to do about it?

In a world that feels quite heavy right now, we all need a little more Kiss All The Time. Disco, Occasionally. 

Newcomer Grit-pop duo Snake Eyes make a brash and individual statement with their debut album ‘Cash Rich’.