Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.

DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.

Blood Wizard’s free flowing experimental approach takes them into a new chapter. 

Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.

Holly Humberstone’s Cruel World is cemented in love, and all of the highs and lows that come with it. 

Love Rarely fuses math rock and hardcore together in a brazenly fearless new debut that establishes them as an instant new favourite.

Three years after her last full-length release, Arlo Parks returns with Ambiguous Desire, a record that further cements her place as one of the UK’s most emotionally transparent voices.

Nearly twenty years on, Scouting For Girls prove their feel-good formula still works.

Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’. 

The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.

Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.

Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.