Modern Woman - 'Ford'
Following the release of their debut EP, Modern Woman return with their new single 'Ford'. A triumphant hit that establishes them as one of the most exciting up and coming acts in the UK.
As the political landscape in Britain turned turbulent , so did the music coming out of the country. In recent years a distinctive brand of frenetic, discordant guitar music has become the prevailing sound of the alternative scene with bands such as Idles and Fontaines DC finding fame as their brooding music reflected the mood of the nation. Much like the 'Landfill Indie' goldrush of the late noughties, the 'Post-Punk' aesthetic has reach a saturation point in recent months, with many band's rejecting the label and distancing themselves from what some have referred to as a quickly deteriorating scene.
In spite of this, some bands are managing to find a way to stand out from the crowd and with their new single 'Ford', Modern Woman have provided another example of why they are quickly becoming one of the most exciting prospects within the British music scene. Following the release of their debut EP last year, the band have revitalised the 'Post-Punk' sound with their distinctive take on the genre. Think Black Country, New Road with Kate Bush vocals.
Their new single marks the band's best release to date with the poetics and vocal acrobatics of Sophie Harris matched by infectious grooves and basslines to create a raw, unflinching track that would be the envy of even the industry's biggest hitters. With 'Ford' Modern Woman have set the benchmark for the continued evolution of a complex genre and have shown that they sit at the vanguard of British music.
Words by Jordan Corrigan
Basement are back to hotwire your brain yet again with another deeply natural and familiar track from their upcoming album ‘WIRED’ out May 8th.
Wax Head lead an Osees-infused revolution that makes remarkable usage of a drummer-fronted psych-punk quartet.
Three years after her last full-length release, Arlo Parks returns with Ambiguous Desire, a record that further cements her place as one of the UK’s most emotionally transparent voices.
Metalcore’s newest slasher villains have unveiled their most ethereal and gut-wrenching track to date, and while the band may be faceless, the music is uniquely identifiable and truly brilliant.
Nearly twenty years on, Scouting For Girls prove their feel-good formula still works.
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
One day like this a year would see me right: Elbow began 2026’s program of Teenage Cancer Trust shows at the Royal Albert Hall with a glorious debut gig at the historical concert hall.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.