Goat Girl - 'gossip'
London four-piece Goat Girl love a Good ‘gossip’ as they release stand-alone single following first album release.
London’s four-piece post-punk outfit Goat Girl have unveiled their latest single, gossip—a synth-led, atmospheric track influenced by the likes of Aphex Twin, Tirzah, Koreless, and Gilla Band. This song, though recorded during the sessions for their latest, wonder-laden album Below the Waste, didn’t make it onto the final project. Instead, it emerges as a bold standalone release, distinct from the album’s themes.
The track dives into a darker, more cinematic sound, fusing dissonant synths with heavy bass lines, reverberated drums, and melancholic vocals. Its accompanying video, directed by lead vocalist Lottie Pendlebury, depicts the literal destruction of a house. Pendlebury explains, “Lyrically, it uses natural imagery as a metaphor for contemplating hearsay and destructive behaviours.”
Goat Girl delve further into their experimental side with gossip, crafting a harsh yet immersive soundscape that mirrors the decadence portrayed in the video. The visuals include a half-demolished model house spinning ominously in the shadows, symbolizing the juxtaposition of creation and destruction—a concept deeply rooted in post-punk’s ethos.
Recorded in Dublin with John ‘Spud’ Murphy, co-producer of Below the Waste, gossip feels like the perfect grounding chaser to the band’s most mature work to date.
Words by Adam Mir
For fans of Fontaines D.C., Shame and Wunderhorse - Virginia-based post-punk outfit Dayfiction have just released their new EP 'Divine Intermission'.
Manchester-based singer-songwriter Bec O'Malley has just released his debut single ‘Let You Go’, introducing a new kind of artist emerging from one of the UK’s most iconic music cities.
Los Campesinos! celebrate two decades of the band with their Vicennial Cringe tour. We went along to Project House to join in the celebrations.
Modest Mouse return with ‘An Eraser and a Maze’, their first album since 2021’s ‘The Golden Casket’. Thirty years on from their debut, Isaac Brock and company are less interested in marking milestones than in dealing with time as it passes.
As if sunshine was music, Jeff Goldblum’s ‘Night Bloom’ is simply joyous.
There are few shows more abrasive; loud, chaotic and brash than a Guilt Trip show. Their live pits are a tour-de-force of sheer brutality and mayhem, and the Manchester outfit translate that superbly well onto their new album that’s as hardworking as the city they come from.
Releasing 11 albums as a band is a feat most groups can only dream of, and I Built You A Tower certainly stands on its own two feet as an immediate testament to how we grieve, and how we carry on.
Written as a tribute to New York, and expressing the unique joy of finding oneself as an immigrant in a foreign city, If You Have A Bridge (I’m Buying) cruises at 90% light-speed through dream-pop soundscapes and fervent jazz drumming.
Leeds to the Dance Floor: Prospa’s debut is a slick, sun-soaked introduction to a duo built for big moments.
Packed full of youthful exuberance and sensational craftsmanship, Midrift’s debut album marks a sharp turn in the direction of success early on for the San Francisco three-piece.
This week's Band of the Week is Francis of Delirium, the project of Luxembourg-based musician Jana Bahrich - who has just released their sophomore album 'Run, Run Pure Beauty' via Dalliance Recordings.
Cara Delevingne arrives at her musical debut not as a tentative crossover novelty, but with the kind of conceptual clarity and aesthetic ambition that suggests a long-considered second language finally spoken aloud.