Flip Top Head - 'Intro 98'
What a way to hurl yourself into 2024 - Flip Top Head crashed into our ears with their chaotic but euphorically brilliant new single ‘Intro 98’.
Pairing the track as part of a double release with Blitzcat Records - the haunting track blends together sounds of Cocteau Twins, Tindersticks and Black Country New Road. Encompassing cascading post-rock headiness, frolicing indie-folk and waltzing lyrical dramas, this latest set of releases confirms Flip Top Head’s self-styled brand of ‘Orchestral Cult Rock’ as equal parts diverse and compelling; a musical phantasm where mystery, disjointedness, power and fragility collide with the motions of sliding trombones, cavernous soundscapes and compelling spoken word.
Writing ‘1st July 2006’ “after a night with a bottle of whisky and Songs of Love and Hate by Cohen on repeat on the turntable.”, leading the release is ‘Intro ‘98’. The track stands as the first the band wrote together, and lyrically explores, with its various voices, the struggles of fresh beginnings, and the quest for authenticity, as vocalist Bowie Bartlett herself explains:
“The intro lyrics were originally used in an old song, ‘Screaming Joe’ - versing on owning, wearing and ruining the coat of a lost loved one. We don’t play that song anymore but we carry the life of ‘Screaming Joe’ over in Intro 98.. Bertie’s lyrics came as a reflection of the motions and the fear and anxiety of starting a new project; digesting the new musical dynamic balance internally and the shift of roles and ideas to create something new - positively speaking. It’s also about my own struggles of how to project
After 2 decades of breaking bones and building communities, TERROR return with ’Still Suffer’, showing each and every fan that they don’t plan on slowing down any time soon.
Electric Picnic announce another 40+ acts joining their 2026 lineup, including the likes of Wolf Alice, DJO and JADE.
Blending 90s nostalgia with a 'fuck work' attitude, The Prodigy’s latest crusade is a laser-drenched masterclass in how to honor a legend without ever slowing the tempo.
Irish band Basht bring a sweltering, electric energy to a packed-out MOTH Club in London on Friday evening.
Sydney hardcore monolith SPEED tear holes through the fabric of the Bristol hardcore scene as they amaze with their killer riffs and beautiful humility.
Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
The legend of the art rock scene herself Kim Gordon delivers a rage against artificial intelligence and a celebration of self-identity at 02 Shepherd’s Bush, with excellent support from rising Brighton outfit Lonnie Gunn.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.