The Red Clay Strays - 'People Hatin''
The Red Clay Strays don’t waste time getting to the point with their latest single, People Hatin.
From the moment the first notes hit, that irresistible groove is unmistakably the Red Clay Strays - gritty and soulful.
Then comes the smokey texture of lead singer Brandon Coleman’s voice, sliding in with quiet conviction.
It lures you right back to where the band left off with Moment of Truth.
People Hatin’ continues the beloved blend of country heart and rock ‘n’ roll edge that fans have come to love.
The chorus leans heavily on repetition, by circling back again and again to the phrase “people hatin’,” the band turns it into a kind of mantra - worn-out, weary, and emotionally loaded. Each time it comes around, it carries just a little more weight, Rather than trying to dress the message up in metaphor, the Red Clay Strays keep it stark and unadorned. It's honest.
Musically, the band keeps things tight and minimal, allowing the groove to do most of the talking through a steady pulse.
People Hatin’ is a slow burn track about a society of hatred and animosity - it’s almost a plea for people to listen and be kinder to one another. It’s a powerful call to action, as the lyrics declare, “it is time to start to love the ones we hate.”
The band isn’t yelling above the noise, instead they have taken a step back, slowed down, and delivered a song that feels more like a conversation than a confrontation.
Words by Hollie Carr
American Express presents BST Hyde Park announces its next headliner for 2027. MUSE, the two-time GRAMMY Award®-winning band behind eight consecutive UK Number 1 albums
This week's Artist of the Week is South London musician and producer Henry Coke - who has just shared his debut album 'Let It Set Us Alight' by 5dB Records.
On the 5th of November I first set foot in St. Mary’s Cathedral in Newcastle for a seriously unserious evening of folk music by Adam Holmes with support from J P Worsfold.
After a week of cryptic clues and increasingly feverish speculation, 2000trees has finally revealed its first wave of acts for their 20th anniversary
Thrash-heavy and seismic, Hatebreed’s newest addition to their vast and rich history continues their lineage of gritted teeth and vicious pacing through yet another sharp and concise eleven tracks on ‘Fatal Paradox’.
Metamorphosis through sound. Citizen’s ability to mould and redefine themselves continually has proved yet again wildly successful through both studio and stage, delivering an unforgettable show on their current UK tour.
Emilie Reid takes us on an eighties synth driven journey on new single 'Prince of the Groove'.
Lo-fi London rockers heavy wild have just released their sophomore EP 'Paradise Forever' via Submarine Cat Records.
On a single released a couple of week before Halloween, the horror-movie style sound collage at the beginning of HOWDYPARTNER, coupled with the undoubtedly weird cover artwork, seems to offer an unsettling piece of spooky-season black magic.
Through perspiration and perseverance, Guilt Trip have hand-crafted not only the perfect tour lineup but the perfect encapsulation of everything it means to exist within the hardcore ecosystem on their recent run of shows.