Saint Wilson - 'Singapore, MI'
What a way to crash into the musical world - may we present debut single ‘Singapore, MI’ - from Saint Wilson.
With a unique blend of melancholic folk that is driven onto a home run with strong guitar powered indie rock. The song marks the first in a series of singles to be released throughout the spring and summer of 2025. With found sounds like chainsaws and the calls of endangered birds, delicate acoustic and gazey electric guitars, and intense drums, ‘Singapore, MI’ captures the relentless forces of destruction, both natural and man-made. The track was self-produced by Saint Wilson, the project of New York-based artist Bryan Freedman, who explores the intersection of history, science, religion, and human connection through his songwriting.
‘Singapore, MI’ takes inspiration from the true story of its namesake, a once-thriving lumber town that was aggressively deforested to fuel the reconstruction of Chicago after the Great Fire of 1871. Without its protective tree cover, the town was rapidly consumed by shifting sands, disappearing beneath Lake Michigan’s dunes in just a few years.
Saint Wilson, who grew up in Pennsylvania and is now based in New York, draws inspiration from artists like Death Cab for Cutie, Band of Horses, Smashing Pumpkins, and Sufjan Stevens. His music blends emotional storytelling with layered textures of indie rock and sound design elements pulled from daily life.
This week's Band of the Week is Francis of Delirium, the project of Luxembourg-based musician Jana Bahrich - who has just released their sophomore album 'Run, Run Pure Beauty' via Dalliance Recordings.
Cara Delevingne arrives at her musical debut not as a tentative crossover novelty, but with the kind of conceptual clarity and aesthetic ambition that suggests a long-considered second language finally spoken aloud.
Marking its tenth-anniversary milestone, Mad Cool Festival returns to the Iberdrola Music space in Madrid from July 8th to July 11th. This edition promises to be one of its most ambitious yet, featuring a powerhouse lineup that bridges the gap between rock legends, pop sensations, and electronic innovators.
Slam Dunk’s 20th anniversary delivered pretty much everything you could want from the festival (besides maybe a reappearance from Fall Out Boy!), as blistering heat, relentless nostalgia, chaotic pits, emotional singalongs, and enough pyro to probably concern local authorities combined into one hell of a day.
Neighbourhood Weekender returned to Warrington once again over Bank Holiday weekend, with thousands of music fans descending on the town for two days that turned Victoria Park into a three-stage celebration of indie, pop and everything in between.
It's May, it's a bank holiday weekend, it's time for the scene's biggest day of the year. For the twentieth year, the greatest gathering of punks, emos, metalheads and thrashers have returned to Yorkshire for the greatest and most sentimental event of the calendar.
Be Sweet To Me is not just telling the world about herself, it's asking the world to give her just one chance.
Desertfest provides a heaven for any stoner rock fans with some of the best curated music in the entire scene; featuring mammoth headline sets from newly tipped metal icons Green Lung and old guard Clutch; you’ll rarely see the Roundhouse bouncier.
From heartbreak to euphoria, Bleachers have made their masterpiece.
A man who has spent years singing for the people walks back into the room, looks them in the eye, and reminds everyone including himself that there is still time.
If longing had a flavour, it'd be watermelon and heartbreak and Cigarettes After Sex know exactly how to serve it.
Twenty years ago, the very first edition of The Great Escape festival was held in Brighton, kickstarting two decades of unrivalled musical discovery. We returned to catch the next wave of artists in ascension.