Ryan Cassata - 'i feel like throwing up'
Taking from his upcoming album 'Greetings from Echo Park' Ryan Cassata releases new single 'i feel like throwing up'.
In his debut LP with Kill Rock Stars, Greetings from Echo Park, Ryan Cassata (he/him), a genre-defying powerhouse musician and activist, constructs a raw collection of folk punk, blues, and pop punk songs that soundtrack stories of anxiety, escapism, illness, and transphobia. The album is due out June 6th, 2025.
In Greetings from Echo Park, Cassata has seemingly spent the past few years swallowing down all the feelings of isolation and anxiety he could hold. Now he’s spitting it back up like bile. The result is a rich mosaic of influences and voices, bringing in collaborators such as Jason Hiller, David Scott Stone (Melvins, LCD Soundsystem), Mark Pelli (MAGIC!), and utilizing styles from emo pop-punk to Springsteen-style guitar. The album art even plays homage to Bruce Springsteen's iconic Greetings from Asbury Park.
Partially written and recorded while battling an autoimmune illness and Lyme Disease coinfections, the album serves as both a cathartic release and a deeply personal chronicle of survival. Songs like “a Knack for Overthinking” capture the relentless grip of anxiety, blending emo pop-punk with confessional lyricism. “I’ve got a knack for overthinking, tip me over so you can stop the shout,” Cassata sings, embodying the push-and-pull of intrusive thoughts and self-doubt. Elsewhere, tracks like “i feel like throwing up” reflect on the isolation of sickness, featuring trans youth actors in its accompanying music video to highlight the systemic loneliness queer people often endure.
Blair Davie opens up about the inspiration behind past, present, and future releases and continues their musical adventures with a series of sold out shows!
This week’s Artist of the Week is girli - who has just released her third studio album ‘it’s just my opinion’.
Love Rarely bring an intense emo math rock set to Highbury/Islington’s Grace that shows they’re ready for bigger things; with excellent support from the likes of Sunday Best – we’ve just witnessed the first London headline of the next great hardcore band
After years of playing shows, reminiscing over their old bangers and becoming more musically complete than ever, Basement are back after 8 years with their new album ‘WIRED’, showing them off at their most profound and well-versed to date while still maintaining that brutal tenacity they have become renowned for.
Hailing from the infamous city in the north-east of England, the trio have brought their “unequivocally Geordie” anthems straight to the forefront of a London dominated scene.
It’s hard to believe that she’s already been making music for over ten years now, but this is not girli’s first rodeo.
Three years on from their last project, Ohio’s own alternative underdogs take another medley of influences and weld it into a transient and catchy electro-punk masterpiece to usher in their all-new album ‘Halcyon Blues’.
Dundalk shoegazers Just Mustard are as mesmerising as ever, playing a sold-out show at London’s Electric Brixton on Wednesday night.
On ‘Concrete Line’, Cutscene come with the kind of moody, poetic rock that has flourished in the UK and Ireland in recent years.
On the streets of Brighton, a voice once stopped people in their tracks. This September, it’s set to stop a city.
2026’s Brick Lane Jazz Festival, we found joyously rich cultural expression living and breathing in a defiant act of community, a conversation that’s still being written.