deathcrash - 'Doomcrash'
A third and final preview before the eagerly awaited release of the band’s debut album Return, deathcrash presents Doomcrash; a prime example of the raw beauty in cacophany.
The London slowcore 4 piece deathcrash are releasing their debut album, Return, which will arrive on 28 January via untitled (recs). We’ve heard three tracks from the upcoming album so far, a concise showcase of the band’s talent for quality and diversity: The hauntingly beautiful and hopeful ‘Horses’, a return to form in the driving and distorted ‘Unwind’, and now their most recent release of ‘Doomcrash’.
‘Doomcrash’ builds slowly and patiently, wrapping the listener in a warm post-rock gloom before punching through into one of the heaviest moments on the upcoming album. The vocals are delicate, but deliberate, and help weave a vast atmosphere that persists throughout the track. Clocking in at almost 9 minutes, Doomcrash takes its time to adjust and evolve, and is all the better for it. There is a matured cohesiveness felt from the band that culminates into the huge wall of sound that draws Doomcrash to a close.
A must-listen for any fans of Slint, deathcrash treats us to a brooding song that has us eagerly awaiting the upcoming release of the album Return on January 28th. If what we’ve heard is anything to go by, this is one to watch out for.
Words by Joe Weikert
Thrash-heavy and seismic, Hatebreed’s newest addition to their vast and rich history continues their lineage of gritted teeth and vicious pacing through yet another sharp and concise eleven tracks on ‘Fatal Paradox’.
Metamorphosis through sound. Citizen’s ability to mould and redefine themselves continually has proved yet again wildly successful through both studio and stage, delivering an unforgettable show on their current UK tour.
Emilie Reid takes us on an eighties synth driven journey on new single 'Prince of the Groove'.
Lo-fi London rockers heavy wild have just released their sophomore EP 'Paradise Forever' via Submarine Cat Records.
On a single released a couple of week before Halloween, the horror-movie style sound collage at the beginning of HOWDYPARTNER, coupled with the undoubtedly weird cover artwork, seems to offer an unsettling piece of spooky-season black magic.
Through perspiration and perseverance, Guilt Trip have hand-crafted not only the perfect tour lineup but the perfect encapsulation of everything it means to exist within the hardcore ecosystem on their recent run of shows.
“You’ll never be alone again”, sings Mancunian’s finest wordsmith Antony Szmierek, and it’s hard to argue with him after a joyous night filled with dancing in a sold-out Kentish Town Forum to his garage beats and spoken-word. Nobody felt alone that night, that’s for sure.
Back to the drawing board or serrated riffs and verbose effect compilations, Cleopatrick have returned to form with new single ’WHAAT’
There’s no venue quite like The Cluny, with its history and reputation as well as its programme of incredible bands trotting through its doors every day of the week. On Sunday it was Quiet Houses’ turn, with support from May Payne they won over the hearts of their fans, existing and new.