Emily James - 'Peach New AM'
Los Angeles indie-pop artist Emily James shares her anthemic bop ‘Peach New AM’ - taken from her new LP ‘Illuminate’, which is due out in July.
The summery bop serves as an ode to Emily’s college life, meeting some of her best friends, and capturing that “freshman feeling.” “Peach New Am” is a graduation anthem for the youth of today. The pop track features alluring melodies with a clap-along, synth-textured beat.
Emily opened up about what the song means to her: “I wrote this song for all of the incredible friends I've met at college over the past four years. I wasn't always sure that I would go to college, but I'm so grateful that I did, in large part because of the people that I met there. We all graduated during the pandemic, and this song is dedicated to them, as a way of saying thank you; not only for making those four years so special and memorable, but for being the best friends I could ask for.
“Peach New Am” joins “Bird of Prey” and “Brooklyn” which will appear on her forthcoming EP Illuminate due out July 15th via Nettwerk.
Electric Picnic announce another 40+ acts joining their 2026 lineup, including the likes of Wolf Alice, DJO and JADE.
Blending 90s nostalgia with a 'fuck work' attitude, The Prodigy’s latest crusade is a laser-drenched masterclass in how to honor a legend without ever slowing the tempo.
Irish band Basht bring a sweltering, electric energy to a packed-out MOTH Club in London on Friday evening.
Sydney hardcore monolith SPEED tear holes through the fabric of the Bristol hardcore scene as they amaze with their killer riffs and beautiful humility.
Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
The legend of the art rock scene herself Kim Gordon delivers a rage against artificial intelligence and a celebration of self-identity at 02 Shepherd’s Bush, with excellent support from rising Brighton outfit Lonnie Gunn.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.
Now, a quarter of the way through the year, with the new American Football album creeping up on us, one feeling seems ever-present. It’s about to be a fantastic year to be sad!