SHEARS - 'Blurry'
Scotland’s musical wizard SHEARS returned last week with new track ‘Blurry’, the first taste of new solo music since my EP of the year last year, ‘Mind in Decline’ which landed last October.
I think what I love most about Edinburgh-based SHEARS is that I listen to her music so often that whenever a new track rolls around, I can still sit down at 10 o’clock at night after a gig and breeze through the review because I’ve got her songs in my head most days so I don’t have to frantically go through the archive to refamiliarize myself with her impressive back catalogue.
I’m hopeful that any imposter syndrome or doubt in her ability behind the scenes which brought about this track must surely now be extinguished as ‘Blurry’ is another self-produced work of art. For any artist, self-reflection and doubt can be an unwelcome monster that creeps up on you. Often, the only way to keep it out is to keep creating and not let it eat away at you. Given the pace the singles are hurtling off the production line, from the outside looking in, there’s no sign of any doubt and the songs and production are continuing to scale new heights with each release.
There feels like a bit more breathing space on this track compared to, say, ‘Face’ from the last EP which was relentless energy from the off. An infectious and in my case valid question “Are you out of your mind?” looping echo vocal welcomes you into the song and plays out sporadically throughout across a plethora of different terrains as the main vocal arrives and later the recognisable electropop instrumentals join the party. Perhaps the biggest compliment I can pay this track is it’s now 11 o’clock at night and I’ve had this on solidly for an hour while I try to unscramble my words and I’ll probably still be playing it on loop long after I’ve cannoned this review into the sky.
‘Blurry’ is the first look at an as yet untitled upcoming EP which is due out later in the year.
Words by Richard Cobb
Live at Leeds in the City is a rare multi-venue showing for the new and exciting in the world of music. In that same spirit, we take a look at some of the most anticipated acts to look out for this weekend, into the new year and beyond:
Rock ‘n’ rollers Bilk expose their tender, romantic side with new single 'Summer Days'.
Energy, charisma and a sense of unity: Irish breakout stars Kneecap brought all of this and more to Liverpool’s O2 Academy.
Over the last five years, Conan Gray has emerged as one of the biggest and most acclaimed pop stars and songwriters of his generation.
Download 2025 is on its way. Three brand new headliners, over 90 announced bands
On the last night of the ‘Indie Til I Die’ tour at Brixton Academy, The Enemy and The Subways don’t do things by halves – except half-and-half scarves, of course.
London’s legendary Roundhouse is thrilled to announce the launch of Roundhouse Three Sixty, a bold and visionary new festival set within the iconic walls of Camden’s Roundhouse during April 2025.
This week's Artist of the Week is British singer-songwriter Emily Burns - who has just released her highly anticipated debut album 'Die Happy' via So Recordings.
A night of mixed emotions - of hope and loss, of anger and joy as Nick Cave & The Bad Seeds continue to prove they’re still in a league of their own, decades since their formation.
RAYE will make her big return to All Points East.
Sub-Pop powered, FACS offer up a deliciously dirty track that is enough to engulf this writer.
Taking over London’s O2 Arena, Glass Animals delivered an out-of-this-world performance that will linger in fans’ memories long after the last note has faded.