Amelie Jat - 'You Ruined My Birthday'
Amelie Jat’s newest single ‘You Ruined My Birthday’ is a slick and mesmerising swill of sound, displaying hopeful glimpses of Avril Lavigne, and exploding with pink light and the hushed flutter of birthday bliss.
Jat's dream-punk vocals bask in the glory of nostalgic film culture, while maintaining a contemporary edge. You could picture it in the opening scene of a John Hughes movie, Molly Ringwald draped in pink silk as 'You threw me around like cheap confetti, here's my middle finger you can come and get me' rolls in over the credits.
This Miley-Cyrus-esque revenge mix-up clamours independence and female empowerment: the perfect metaphorical 'middle finger' to an ex boyfriend. The attitude-infused chorus lines are unimaginably infectious. After playing the song only once I found myself humming it in the shower, and buzzing with a desperate need to play it again. While the main imagery of this pop-rock song is fun and quirky, Jat seems to be conveying a stronger message in her Pink-inspired lyricism. She comedically addresses the importance we place upon birthdays, writhing in the pettiness of materialism and self-indulgence.
Amelie Jat's bubbly and glittering personality is emulated in the music she creates: a true pop queen in the making. Her voice has a natural flare and gilmour of passion, from the opening swift waves of synth to the bellowing chorus lines. It is undeniable that Amelie Jat has a gleaming future ahead of her, starting with her first headline show at the Dublin Castle in London on April 19th.
Words by Charlotte Jolley
Fast becoming one of America's most notable exports - singer-songwriter Matt Hansen has just announced that his debut album 'Orchid' will be out this summer.
Blair Davie opens up about the inspiration behind past, present, and future releases and continues their musical adventures with a series of sold out shows!
This week’s Artist of the Week is girli - who has just released her third studio album ‘it’s just my opinion’.
Love Rarely bring an intense emo math rock set to Highbury/Islington’s Grace that shows they’re ready for bigger things; with excellent support from the likes of Sunday Best – we’ve just witnessed the first London headline of the next great hardcore band
After years of playing shows, reminiscing over their old bangers and becoming more musically complete than ever, Basement are back after 8 years with their new album ‘WIRED’, showing them off at their most profound and well-versed to date while still maintaining that brutal tenacity they have become renowned for.
Hailing from the infamous city in the north-east of England, the trio have brought their “unequivocally Geordie” anthems straight to the forefront of a London dominated scene.
It’s hard to believe that she’s already been making music for over ten years now, but this is not girli’s first rodeo.
Three years on from their last project, Ohio’s own alternative underdogs take another medley of influences and weld it into a transient and catchy electro-punk masterpiece to usher in their all-new album ‘Halcyon Blues’.
Dundalk shoegazers Just Mustard are as mesmerising as ever, playing a sold-out show at London’s Electric Brixton on Wednesday night.
On ‘Concrete Line’, Cutscene come with the kind of moody, poetic rock that has flourished in the UK and Ireland in recent years.
On the streets of Brighton, a voice once stopped people in their tracks. This September, it’s set to stop a city.