Ten Tonnes - 'Drowning in the Deep End'
Ten Tonnes releases new single ‘Drowning in the Deep End’ ahead of his forthcoming LP ‘Dancing, Alone’.
Ten Tonnes, otherwise known as Ethan Barnett, releases the fourth and final reveal ‘Drowning in the Deep End’ for his LP ‘Dancing, Alone’. Since his first self-titled 2019 debut album, Ethan has undergone a multitude of changes both in his life and in his music, the four years since his debut release the songwriter has become independent and moved out of London, started therapy and focused on the introverted part of his brain. Ten Tonnes is returning with a mature and majestic second album ‘Dancing, Alone’ that is about reflection, growing up and carving a different path for himself.
Detailing his latest effort, Ethan says that ‘Drowning in the Deep End’ was a way for him to process the tough time in his life and lyrically set a theme for the rest of ‘Dancing, Alone’ of deeper honesty and transparency within himself with lyrics like ‘All you wanted was to feel free. But it gets so tiring to pretend.’ He continues that, “I didn’t want it to feel too heavy musically through and it’s written more from a place of looking back at a dark period as opposed to being in the centre of it.”
With Ten Tonnes having an extensive UK tour lined up for September, with sold-out dates with his London and Manchester headliners. The indie sensation will be celebrating his album release in-store gigs throughout the UK this July as he looks to capitalise on previous plaudits across the broadsheets, The Guardian and The Times, key indie champions NME, DIY and The Line of Best Fit, to countless plays on the BBC, Absolute Radio and Radio X Airwaves.
Words by Beth Simms
Metalcore’s newest slasher villains have unveiled their most ethereal and gut-wrenching track to date, and while the band may be faceless, the music is uniquely identifiable and truly brilliant.
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
One day like this a year would see me right: Elbow began 2026’s program of Teenage Cancer Trust shows at the Royal Albert Hall with a glorious debut gig at the historical concert hall.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.
Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement.
Foo Fighters show off on new single ‘Caught In The Echo’, it’s the third from their 12th full-length studio album, ‘Your Favorite Toy’, which is out on the 24th of April. Their stadium-ready rock has clearly not reached its peak yet, with ‘Caught In The Echo’ being as exciting as their debut was.
Energy Whores is the electrifying avant-electro/art-pop project led by New York-based artist Carrie Schoenfeld, who has just unveiled their latest album ‘Arsenal of Democracy’.
This week's Artist of the Week is Canadian indie-folk artist Cat Clyde - who has just released her new album 'Mud Blood Bone' via Concord Records.