Sorry - 'Waxwing
Hot off the press, Waxwing marks the heroic return of London’s finest, Sorry. After two years in the lurch, it’s been a long time coming.
This latest offering takes Toni Basil’s 1981 hit Hey Mickey and puts an eerie twist on things. With unfamiliar discordance, an eighties sci-fi reminiscent synth reels us into the perverse underworld of this piece. From the outset, it already feels like a deeper, darker turn from their 2022 LP Anywhere But Here. The tone throughout remains spacey and off- kilter. As guttural clashes slink beneath jittering rhythms, the overall picture builds to something bleak and sultry. By the time it has risen to its conclusion, the track leaves the listener clawing for air through the shadows.
The sleazy undertones of the piece are driven by Asha Lorenz’s tongue-in-cheek vocal charges. With some not- so- discreet notes of seduction, she whispers: “Mickey is desire ? Mickey is the bomb? Mickey makes me money? Mickey makes my songs? Mickey makes a poem? Mickey in the drugs ? Mickey is liar ? Mickey making love? Mickey is desire ?”
With the accompaniment of a rather visually-arresting video courtesy of FLASHA, we are handed the final piece of this bizarre puzzle. Juxtaposing lo-fi DIY footage with hi-gloss footage of the band, we are left to ponder on the ways in which desire can reshape human perception.
This is a triumphant return, the band maintaining hints of their trademark style, whilst still boasting the curation of something fresh and off the track. With the band set to support Fontaines D.C. on their full November 2024 UK and Irish tour, the anticipation is brewing. If this single is any indication of what is to come, we are surely in for a real treat. Keep those ears peeled.
Words by Alice Beard
Electric Picnic announce another 40+ acts joining their 2026 lineup, including the likes of Wolf Alice, DJO and JADE.
Blending 90s nostalgia with a 'fuck work' attitude, The Prodigy’s latest crusade is a laser-drenched masterclass in how to honor a legend without ever slowing the tempo.
Irish band Basht bring a sweltering, electric energy to a packed-out MOTH Club in London on Friday evening.
Sydney hardcore monolith SPEED tear holes through the fabric of the Bristol hardcore scene as they amaze with their killer riffs and beautiful humility.
Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
The legend of the art rock scene herself Kim Gordon delivers a rage against artificial intelligence and a celebration of self-identity at 02 Shepherd’s Bush, with excellent support from rising Brighton outfit Lonnie Gunn.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.
Now, a quarter of the way through the year, with the new American Football album creeping up on us, one feeling seems ever-present. It’s about to be a fantastic year to be sad!