Clara Mann – 'Doubled Over'
London-based Clara Mann has doubled down on her delicate indie-pop sound in latest offering ‘Doubled Over’.
Chasmic, welcoming, and yet, often times haunting, Mann’s discography vaunts emotion-eliciting cuts that worm and weave through the depths of subtle sub-genres that defy categorization. ‘Doubled Over’ is the fifth track to be unveiled from her upcoming record “Rift”, leaving the other half of the project shrouded in a visceral pop mystery.
“Doubled Over” is rife with self-actualisation and sees Mann neck-deep in confessionalism as she reflects on picking up the pieces after heartbreak (“How can I begin when I’m still yours”). The influence of Edith Piaf is prevalent her in Mann’s soft, poetic, vocal delivery, and the crooning admissions only exacerbate the heartache being portrayed. Stripped-back acoustic guitars lead pain-drenched soundscape, and offer a contrasting, soothing escape.
Speaking on its inception, Mann confesses; “This is about love, and the physical pain of heartbreak. I’m not very good at talking about those feelings, I guess that’s why I put it in a song- if I knew how to talk about it in any other way, I wouldn’t have had to write it. Love is the best and hardest thing I do, the thing I’m proudest of, and the end of it is crippling. In the end, we take the risk every time, because good love is worth it.”
Set for release on March 7 th ‘Rift’ is set to be a collection of tracks that explores all the depths of love and heartbreak, all the while offering a refreshing outlook that champions perseverance and recovery. Evocative and raw, ‘Doubled Over’ is a delightful teaser for what “Rift” has to offer.
Words by Lana Williams
The rock and roll godfathers, Foo Fighters, dust off their distortion pedals and sink their teeth into a vicious and refreshing new sound in their new album ‘Your Favourite Toy’.
After 2 decades of breaking bones and building communities, TERROR return with ’Still Suffer’, showing each and every fan that they don’t plan on slowing down any time soon.
Electric Picnic announce another 40+ acts joining their 2026 lineup, including the likes of Wolf Alice, DJO and JADE.
Blending 90s nostalgia with a 'fuck work' attitude, The Prodigy’s latest crusade is a laser-drenched masterclass in how to honor a legend without ever slowing the tempo.
Irish band Basht bring a sweltering, electric energy to a packed-out MOTH Club in London on Friday evening.
Sydney hardcore monolith SPEED tear holes through the fabric of the Bristol hardcore scene as they amaze with their killer riffs and beautiful humility.
Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
The legend of the art rock scene herself Kim Gordon delivers a rage against artificial intelligence and a celebration of self-identity at 02 Shepherd’s Bush, with excellent support from rising Brighton outfit Lonnie Gunn.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.