From Houston to heartbreak: Love Spells’ emotionally captivating debut.
Shania Twain finds the girl who never got the memo that genres exist.
There is magic in that new record, and it’s a blessing in a black-and-pink colourful disguise.
After over a decade of records, tours, festival appearances and everything else a band can dream of, Brighton band As It Is are showing no sign of stopping now.
In the grand theatre of popular music, few artists have navigated the terrain of emotional catharsis with the commercial acumen of The Script.
There is a particular kind of courage required to name a song 'Joy' in an era of irony soaked detachment and algorithmic anxiety. It is the sort of title that invites mockery, that dares the listener to raise a sceptical eyebrow.
King Gizzard & The Lizard Wizard step into a new realm with ‘Level 5’.
The jury’s still out on what their best album is, and a case can be made for all six, but this may just be the most important album the XCERTS have made yet.
Ohio metalcore heavyweights release huge bumper series worth getting to know.
Fat Dog erupt back onto the scene with raw new single ‘Cancel Me (I’m Tired)’.
Galway’s fiercest new noisemakers, Shark School, show they are a force to be reckoned with on their debut album, Selachimorpha.
At just over fifty minutes, Dear God is an immersive and rewarding listen that showcases The Pretty Reckless at their most focused and emotionally resonant.
Put your headphones on, find somewhere quiet, and let Temples take you somewhere you didn't know you needed to go.
Some songs tell you a story. This one makes you feel like you are already buried inside it before you have even heard a word.
Pyncher really means it this time with a memorable EP that refuses to fit in.
Australian psych rockers Pond are a prolific outfit that have returned with their 11th record – Terrestrials.
‘A Broken Chord’ pushes Oral Habit to their sonic limits that show the world what the psych/punk/Kraut band is capable of – have we found the next Osees?
Modest Mouse return with ‘An Eraser and a Maze’, their first album since 2021’s ‘The Golden Casket’. Thirty years on from their debut, Isaac Brock and company are less interested in marking milestones than in dealing with time as it passes.
As if sunshine was music, Jeff Goldblum’s ‘Night Bloom’ is simply joyous.
There are few shows more abrasive; loud, chaotic and brash than a Guilt Trip show. Their live pits are a tour-de-force of sheer brutality and mayhem, and the Manchester outfit translate that superbly well onto their new album that’s as hardworking as the city they come from.
Releasing 11 albums as a band is a feat most groups can only dream of, and I Built You A Tower certainly stands on its own two feet as an immediate testament to how we grieve, and how we carry on.
Written as a tribute to New York, and expressing the unique joy of finding oneself as an immigrant in a foreign city, If You Have A Bridge (I’m Buying) cruises at 90% light-speed through dream-pop soundscapes and fervent jazz drumming.
Leeds to the Dance Floor: Prospa’s debut is a slick, sun-soaked introduction to a duo built for big moments.
Packed full of youthful exuberance and sensational craftsmanship, Midrift’s debut album marks a sharp turn in the direction of success early on for the San Francisco three-piece.
Cara Delevingne arrives at her musical debut not as a tentative crossover novelty, but with the kind of conceptual clarity and aesthetic ambition that suggests a long-considered second language finally spoken aloud.
Be Sweet To Me is not just telling the world about herself, it's asking the world to give her just one chance.
From heartbreak to euphoria, Bleachers have made their masterpiece.
A man who has spent years singing for the people walks back into the room, looks them in the eye, and reminds everyone including himself that there is still time.
If longing had a flavour, it'd be watermelon and heartbreak and Cigarettes After Sex know exactly how to serve it.
