Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.
Now, a quarter of the way through the year, with the new American Football album creeping up on us, one feeling seems ever-present. It’s about to be a fantastic year to be sad!
Alt-shoegaze style trailblazers Midrift announce a stellar debut record with equally impressive lead single ‘Over Anything’.
Holly Humberstone’s Cruel World is cemented in love, and all of the highs and lows that come with it.
Love Rarely fuses math rock and hardcore together in a brazenly fearless new debut that establishes them as an instant new favourite.
Basement are back to hotwire your brain yet again with another deeply natural and familiar track from their upcoming album ‘WIRED’ out May 8th.
Wax Head lead an Osees-infused revolution that makes remarkable usage of a drummer-fronted psych-punk quartet.
Three years after her last full-length release, Arlo Parks returns with Ambiguous Desire, a record that further cements her place as one of the UK’s most emotionally transparent voices.
Metalcore’s newest slasher villains have unveiled their most ethereal and gut-wrenching track to date, and while the band may be faceless, the music is uniquely identifiable and truly brilliant.
Nearly twenty years on, Scouting For Girls prove their feel-good formula still works.
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.
Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement.
Foo Fighters show off on new single ‘Caught In The Echo’, it’s the third from their 12th full-length studio album, ‘Your Favorite Toy’, which is out on the 24th of April. Their stadium-ready rock has clearly not reached its peak yet, with ‘Caught In The Echo’ being as exciting as their debut was.
Albany's hardcore darlings release 'Pynch' via Pure Noise Records, their first single since their previous album alongside a tidal wave of worldwide tour announcements for your local antagonists to really sink their teeth into.
The Scratch have both bite and bark on their latest album, Pull Like A Dog.
Magnolia Park release their new single “DANGEROUS”, the final preview of their deluxe album “NIGHTS AFTER VAMP”.
It’s been a long seven years to get here, but CHALK have finally arrived; today Belfast, tomorrow the world.
Kacey Musgraves has never exactly been shy about saying the quiet part out loud, but her new single “Dry Spell” might be one of the most hilariously self-aware entries in her catalogue yet.
Philadelphia's Sweet Pill overcome adversity in heartfelt emo return.
The Halifax-formed, Manchester-based indie band return for their fourth record: the ornate, dynamic, boundary-pushing Only You Left.
