Video Premiere: Thallo - 'The Water'
Welsh artist Thallo shares the visual for her emotionally charged, haunting single ‘The Water’.
The visual, created by Max Toblin (Director) and Dillon Steele (Director of Photography), mirrors Thallo’s music which is at once startingly beautiful but with a melancholic undercurrent running through its gently layered jazz infused tones. It depicts two children dressed in boiler suits, playing in the long grass of empty fields to a backdrop of towering power stations which loom ominously. As Thallo expands “Their childlike, care-free pleasure is contrasted with the power station in the background, a sinister warning that their freedom is temporary. They frantically run and play whilst the daylight is running out, cherishing the time that they have until they finally come to a halt in the dark.”
The video plays on The Water’s bittersweet meaning of cherishing a moment before it is lost, inspired by a relationship destined to fail, and the heartbreak of knowing of a partner’s eventual migration. Both the song’s title and Thallo’s vulnerable yet alluring vocal evoke the feeling of drowning, of laying down on a riverbed and giving into the sensation of the immersion. As Thallo expands “The river is not only the love that drowns me, but it is also the relationship I can’t keep hold of.”
We are delighted to be able to give you an exclusive look at the video.
Electric Picnic announce another 40+ acts joining their 2026 lineup, including the likes of Wolf Alice, DJO and JADE.
Blending 90s nostalgia with a 'fuck work' attitude, The Prodigy’s latest crusade is a laser-drenched masterclass in how to honor a legend without ever slowing the tempo.
Irish band Basht bring a sweltering, electric energy to a packed-out MOTH Club in London on Friday evening.
Sydney hardcore monolith SPEED tear holes through the fabric of the Bristol hardcore scene as they amaze with their killer riffs and beautiful humility.
Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
The legend of the art rock scene herself Kim Gordon delivers a rage against artificial intelligence and a celebration of self-identity at 02 Shepherd’s Bush, with excellent support from rising Brighton outfit Lonnie Gunn.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.
Now, a quarter of the way through the year, with the new American Football album creeping up on us, one feeling seems ever-present. It’s about to be a fantastic year to be sad!