Freya Beer – ‘Love Child’
Freya Beer is back with a brand new single that sees her lifting the veil on a toxic relationship.
When the opening riff hits, you will be hooked. A guitar enters like a hazy siren looming over the melody. Then, Freya Beer’s vocal completes the mood with ‘do you call yourself Marilyn’s child?’ You have arrived. You know exactly where you are – a dark Hollywood dream of perfection. Something pernicious this way lurks.
Beer cites Dario Argento’s Suspiria as inspiration for this gothic alt-rock track. It’s easy to see why. Goblin, a prog-rock Italian band, composed the soundtrack for that classic horror film. They created looming, looping melodies that put audiences on high alert. From the start, ‘Love Child’ does the same. A guitar pucks out individual notes and lets them hang in the air while Beer builds a foreboding story on top. The lyrics have a gothic Lana Del Rey feel, while the music is inspired by the likes of Nick Cave. It’s a unique, alt-rock sound that makes for a compelling listen.
The song tracks a toxic relationship that Beer fights to get out of – trying to loosen the grip of a manipulator who has presented themselves as saintly. She warps religious icons and Hollywood sweethearts to convey a pervasive sense of unease. A beautifully dark mix of distorted guitars, cinematic violins, broody bass lines, and thumping, echoing drums perfectly complements the theme.
‘Love Child’ is a classically cinematic song – a big story, a big sonic soundscape, and an engrossing world unfolds around you. It’s a story you want to hear, trust me.
Words by Izzy Rowley
Thrash metal titans Slipknot bring their debut album anniversary tour to Manchester for a show that threatens to shake the new arena to its foundations.
Our writers took a moment to talk about their favourite releases over the past twelve months.
The Twang stunned Liverpool’s O2 Academy with a performance of hit album ‘Jewellery Quarter’ in full.
One of the most anticipated tours of the year had finally come to fruition after months upon months of waiting.
Sundara Karma closed the book on their indie pop journey with their final ever show at Kentish Town Forum on Sunday night.
Juanita Stein shares a class in minimalism with her fourth solo LP, ‘The Weightless Hour’, which revels in the strength of restraint.
A thread of contradictions runs through Lauren Mayberry’s debut solo record ‘Vicious Creature’, a love letter to her female influences in music, past and present.
On a rainy Thursday night in Brixton, Remi Wolf arrived to ensure her audience couldn’t tell the difference between the sweat and rain on their clothes.
It’s a band that recognise the need to embrace life and energy as it is in their form – playful, uplifting and joyful.
Complete with laser pigeons and technicolour bras, non-stop party patrons Confidence Man champion unbridled rave at Bristol Beacon.
Reading & Leeds have announced their 2025 line-up with Chappell Roan, Travis Scott and Bring Me The Horizon topping the bill.