Bessie Turner - ‘It Was Nothing’
Bessie Turner unveils the lush soundscape of ‘It Was Nothing’.
Marrying together soft soundscapes and poetic lamentations of societal observations, Bessie Turner has stapled herself as one of the most enticing rising acts on the indie music scene.
Latest track ‘It Was Nothing’, Turner devotes her creativity to a more gritty sound and veers away from her previously seen bedroom-pop cuts. Exploring the pitfalls of expired friendships, Turner reflects on her own reaction to the situation (with a need to take responsibility - even when she isn’t at fault), through witty-penned lyrics veined with an overwhelming sarcastic tone. ‘It Was Nothing’ sits as Turner’s first release since 2021’s EP Themed Nights, and acts as her most mature and raw release to date.
Delving more into the narrative behind the track, Turner notes “It's about the loss of friendships and me trying to find peace and reason in a situation. I'm always the most sorry person in the room and take responsibility for things even if they're not mine to carry, like if someone ran me over I would apologise for touching their car. The song is full of high and low energy and I wanted it to feel like a burst of emotion. The ending is a kind of sarky feel good end of play - it's my favourite part of the song.”
Coming in at just under the three-and-a-half-minute mark, the track is jam-packed with drilling percussion, angelic vocals, and soft harmonies. Turner’s delicate inflections highlight the perturbations present throughout the cut to amalgamate in a perfectly arranged sonic number.
‘It Was Nothing’ promises an exciting turn for the singer-songwriter.
Words by Lana Jade Williams
Slam Dunk’s 20th anniversary delivered pretty much everything you could want from the festival (besides maybe a reappearance from Fall Out Boy!), as blistering heat, relentless nostalgia, chaotic pits, emotional singalongs, and enough pyro to probably concern local authorities combined into one hell of a day.
Neighbourhood Weekender returned to Warrington once again over Bank Holiday weekend, with thousands of music fans descending on the town for two days that turned Victoria Park into a three-stage celebration of indie, pop and everything in between.
It's May, it's a bank holiday weekend, it's time for the scene's biggest day of the year. For the twentieth year, the greatest gathering of punks, emos, metalheads and thrashers have returned to Yorkshire for the greatest and most sentimental event of the calendar.
Be Sweet To Me is not just telling the world about herself, it's asking the world to give her just one chance.
Desertfest provides a heaven for any stoner rock fans with some of the best curated music in the entire scene; featuring mammoth headline sets from newly tipped metal icons Green Lung and old guard Clutch; you’ll rarely see the Roundhouse bouncier.
From heartbreak to euphoria, Bleachers have made their masterpiece.
A man who has spent years singing for the people walks back into the room, looks them in the eye, and reminds everyone including himself that there is still time.
If longing had a flavour, it'd be watermelon and heartbreak and Cigarettes After Sex know exactly how to serve it.
Twenty years ago, the very first edition of The Great Escape festival was held in Brighton, kickstarting two decades of unrivalled musical discovery. We returned to catch the next wave of artists in ascension.
Yorkshire rock royalty return with relentless third - their first in eight years - ready to take on the world again.
CQ Wrestling have seized the moment with a staggeringly powerful album that will linger in the memory long after it’s over.
Tove Lo delivers a sharp, addictive return with “I’m your girl right?”