Grave Goods - 'Come'
Grave Goods burst onto the scene in a blaze of lustrous glory with track ‘Come’.
An industrial ticking starts Grave Goods newest single ‘Come’. Fiery, tension-building guitars thrust upon you a harmony most violent. The kind that sets a crowd off - ready to throw their bodies around in a primal display of rebellion. Having released just two singles before this point, ‘Come’ represents a band hitting their stride. This is a single that occupies a brilliantly satisfying space between the claustrophobic, and the overwhelming. A gritty, hypnotic vocal delivery from lead singer Lois Macdonald dryly sits in production that embraces the angst of the nu-metal era, all funnelled through their own minimalist approach to keep you in suspense. It’s an exciting take on post-punk; conceptual but unrestrained.
It’s accompanying music video is revealing in nature. Four nightmarish jesters cited by the band as “pleasure demons” creep across the screen, drenched in the colours of lust and of passion. Each one serves as a different interpretation of desire; it’s in this conceptual approach to music Grave Goods reveal their potential the most.
Their debut album ‘TUESDAY. NOTHING EXISTS’ is out September 9th and is inspired by Lois Macdonald’s love of existential philosopher Jean-Paul Sartre’s novel ‘Nausea’. A exploration of nihilism, of disassociation with the human condition and an obsession with “why?" - truly an exciting place to draw influence from. Grave Goods will be supporting breakout band M(h)aol at The Grace in London on the 19th of July, and if this release is anything to go by, it’s going to be a powerful performance!
Words by Ashley Garrod
This week's Band of the Week is Francis of Delirium, the project of Luxembourg-based musician Jana Bahrich - who has just released their sophomore album 'Run, Run Pure Beauty' via Dalliance Recordings.
Cara Delevingne arrives at her musical debut not as a tentative crossover novelty, but with the kind of conceptual clarity and aesthetic ambition that suggests a long-considered second language finally spoken aloud.
Marking its tenth-anniversary milestone, Mad Cool Festival returns to the Iberdrola Music space in Madrid from July 8th to July 11th. This edition promises to be one of its most ambitious yet, featuring a powerhouse lineup that bridges the gap between rock legends, pop sensations, and electronic innovators.
Slam Dunk’s 20th anniversary delivered pretty much everything you could want from the festival (besides maybe a reappearance from Fall Out Boy!), as blistering heat, relentless nostalgia, chaotic pits, emotional singalongs, and enough pyro to probably concern local authorities combined into one hell of a day.
Neighbourhood Weekender returned to Warrington once again over Bank Holiday weekend, with thousands of music fans descending on the town for two days that turned Victoria Park into a three-stage celebration of indie, pop and everything in between.
It's May, it's a bank holiday weekend, it's time for the scene's biggest day of the year. For the twentieth year, the greatest gathering of punks, emos, metalheads and thrashers have returned to Yorkshire for the greatest and most sentimental event of the calendar.
Be Sweet To Me is not just telling the world about herself, it's asking the world to give her just one chance.
Desertfest provides a heaven for any stoner rock fans with some of the best curated music in the entire scene; featuring mammoth headline sets from newly tipped metal icons Green Lung and old guard Clutch; you’ll rarely see the Roundhouse bouncier.
From heartbreak to euphoria, Bleachers have made their masterpiece.
A man who has spent years singing for the people walks back into the room, looks them in the eye, and reminds everyone including himself that there is still time.
If longing had a flavour, it'd be watermelon and heartbreak and Cigarettes After Sex know exactly how to serve it.
Twenty years ago, the very first edition of The Great Escape festival was held in Brighton, kickstarting two decades of unrivalled musical discovery. We returned to catch the next wave of artists in ascension.