Briston Maroney - 'Paradise'
With his latest single ‘Paradise’, Briston Maroney cements himself as a pop force to be reckoned with.
Starting off in bedroom-pop fashion: bass driven, classic indie hand claps with a quirky, almost-fuzzy picked guitar pattern. This is soon integrated into a perfectly arranged yet distinct production, courtesy of the talented hands of Andrew Sarlo (Big Thief, Bon Iver). Add in some indie “o’s” and a whirling synth motif that felt ripped straight out of a Gamecube title’s main theme - ‘Paradise’ definitely seems the apt title.
Many of the summer indie-pop features are proudly on display here: driving melodic bass-lines, jangly guitars all sat on a compressed, tight sounding drum part. Not a second is wasted in this concise light-hearted anthem.
Its colourful music video serves as an appropriate accompaniment indeed; an open field with vibrant colours, as engaging as it is oddly familiar. A compelling mix of neon colours and flashing psychedelia cementing its status as a song clearly crafted for those endless days only found in the sprawling fields of your average festival.
Briston effortlessly avoids the lyrical trappings of the genre, instead finding the perfect place between cliche and comfort - all wrapped in a vocal sound that’s distorted yet warm.
“Well let me tell you something when you get to my age// Love is all you got so I mean it when I say that” twenty-four year old Briston sings. A choice bit of timeless wisdom from someone in their mid-twenties; a welcome and healthy acknowledgement of youth’s passing and no doubt a line that will age well into his back catalogue.
After opening for rock legend Jack White, Briston Maroney will be headlining Band on the Wall in Manchester this Wednesday, a feel-good show not to be missed if this single is anything to go by!
Words by Ashley Garrod
There are few bolder, more abrasive bands than MØL – alt metal visionaries from Denmark with a real bite to them; and this record is unlike anything you’ve heard from them before.
Simply refusing to stop picking up speed, Only The Poets continue to gather up momentum with the release of their debut album ‘And I’d Do It Again’.
Explosive, vivacious and full of energy, The Molotovs debut album is impossible to ignore.
We caught up with Jack Wilson and Eddie Lewis in Brighton, discussing all things ‘Fearless Nature’ as the duo bring their fourth album to record stores around the country.
Bombay Bicycle Club to Headline LIDO Festival 2026
A voice ripping at the edge, cutting through the mix with heart-wrenching emotion, it’s what made Tooth’s debut ‘The Age of Innocence’ a stand out garage rock track to me.
Demob Happy’s ‘The Grown Ups Are Talking’ promises a riff-laden carnival from the first note, with a healthy measure of old-school psychedelia to back up the hedonistic spirit infused in each song.
Following a string of critically acclaimed EPs throughout the 2020s, it was time for Canadian duo Softcult to finally bring an album into the world.
Giving the masses more and more, the appropriately named More Forever continues their streak of putting out trademark grunge-drenched flows with twelve new tracks.
Modern emo heir apparents Joyce Manor release their 8th studio album with an amalgamation of inspiration to create an honest blend of beautifully handcrafted songs.
Celebrating life’s simple joys, The Paper Kites’ new album ‘If You Go There, I Hope You Find It’ is the perfect remedy for the world we find ourselves in.
Death in the Business of Whaling finds Searows lost at sea, surfacing with his most powerful work to date.