Alvvays - ‘Easy On Your Own?’
‘Easy on your own?’ opens with Molly Rankin’s voice, like the vanguard of a military force, leading the rest of the troops into the swell of action.
Alvvays have mastered these euphoric moments of union whereby delaying the blissfully guitar-heavy instrumentation you feel intimately connected to her sole vocal and then drenched in a release of sound when the band joins in. Rankin’s voice has the unique quality of being transcendently pure while possessing the anthemic roughness of someone singing their heart out. In the same vein, she has the alluring ability to sound careless and emotional at the same time, similar to that of Julian Casablancas. It’s like stippling wet paint, the slack application of a roller on a wall that was once crisp and smooth (but in a good way, not where the local menace is purposefully sabotaging your paint job). This almost oxymoronic singing style is indicative of Alvvays’ sound, a raucous jostling with elated synchronicity, a raw creativity with honed and refined structure.
It’s been five years since Antisocialites, the band’s second album, and a lot has happened for the band in that time. Extensive touring delayed the writing of new material and then a recorder full of demos was stolen from Rankin’s home. The band also found itself with a new rhythm section but couldn’t practice due to covid restrictions. All in all, it’s been a tricky road to traverse since the last album.
Five years may have passed but the evocative yet mind-meltingly catchy vocal hooks and joyous reverb-dripping guitar accompaniments are as strong as ever. This song is the second in a tracklist of 14 songs from their upcoming album Blue Rev (out October 7th via Transgressive) and it marks a cementing of the Canadian indie pop outfit as one of the most formidable, reliable and exciting of the last decade.
Words by Daniel Badger
Thrash metal titans Slipknot bring their debut album anniversary tour to Manchester for a show that threatens to shake the new arena to its foundations.
Our writers took a moment to talk about their favourite releases over the past twelve months.
The Twang stunned Liverpool’s O2 Academy with a performance of hit album ‘Jewellery Quarter’ in full.
One of the most anticipated tours of the year had finally come to fruition after months upon months of waiting.
Sundara Karma closed the book on their indie pop journey with their final ever show at Kentish Town Forum on Sunday night.
Juanita Stein shares a class in minimalism with her fourth solo LP, ‘The Weightless Hour’, which revels in the strength of restraint.
A thread of contradictions runs through Lauren Mayberry’s debut solo record ‘Vicious Creature’, a love letter to her female influences in music, past and present.
On a rainy Thursday night in Brixton, Remi Wolf arrived to ensure her audience couldn’t tell the difference between the sweat and rain on their clothes.
It’s a band that recognise the need to embrace life and energy as it is in their form – playful, uplifting and joyful.
Complete with laser pigeons and technicolour bras, non-stop party patrons Confidence Man champion unbridled rave at Bristol Beacon.
Reading & Leeds have announced their 2025 line-up with Chappell Roan, Travis Scott and Bring Me The Horizon topping the bill.