Maisie Peters - 'Good Enough'
BRIT breakthrough artist Maisie Peters is back. The singer-songwriter returns with her latest single ‘Good Enough’ .
With a simple yet melancholy piano as the only companion to Peters’ raw vocals, ‘Good Enough’ immediately juxtaposes its other half, ‘Blonde’.
On the track, she sings about being strung along and eventually dumped by someone who she thought loved her too. She explained on Twitter that the single explores the “seasons of doubt and sadness and really intense bouts of wondering whether you're good enough for whatever or whoever it is your heart wants.”
As with many of her songs, Peters’ gives the listener a way to say something which they may not be able to articulate themselves. Her songwriting is so raw that it feels so personal- too personal almost- to apply to anyone else, and yet, it’s unbelievably relatable. Unrequited love is such a universal experience, after all.
Her vocals on this track feel as though they haven’t been touched, sounding pained and rough, as if she was on the verge of crying at the time of recording, and yet soft enough that it could put you into a slumber.
The second verse is what gives the song its punch because there’s more detail than the rest of the song offers; a small moment that gives the single that personal touch. If you need some comfort that you’re not the only one experiencing loves sting, then give this a listen (and have a little cry, maybe).
Words by Brooke Pollock
Wax Head lead an Osees-infused revolution that makes remarkable usage of a drummer-fronted psych-punk quartet.
Three years after her last full-length release, Arlo Parks returns with Ambiguous Desire, a record that further cements her place as one of the UK’s most emotionally transparent voices.
Metalcore’s newest slasher villains have unveiled their most ethereal and gut-wrenching track to date, and while the band may be faceless, the music is uniquely identifiable and truly brilliant.
Nearly twenty years on, Scouting For Girls prove their feel-good formula still works.
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
One day like this a year would see me right: Elbow began 2026’s program of Teenage Cancer Trust shows at the Royal Albert Hall with a glorious debut gig at the historical concert hall.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.
Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement.