Crawlers - 'I Don't Want It'
After the well deserved success of both ‘Come Over (Again)’ and ‘Fuck Me (I Didn’t Know How To Say)’, Liverpool rockers CRAWLERS have thrown another astoundingly addictive single our way with ‘I Don’t Want It’.
Filled with an immensely powerful and memorable guitar riff, thick bass tones, bouncy drums and singer Holly Minto’s signature rough vocals, it seems that CRAWLERS are well underway in becoming one of the UK’s most exciting new rock acts in recent years.
CRAWLERS have always been brilliant at creating continuity within their music, giving each song they produce individuality while sticking to their own fundamentals of heavy riffs, intimate lyricism and powerful talent from each respective member. ‘I Don’t Want It’ is no exception to this.
In their latest track, singer Holly Minto confronts their own issues with body image and how body expectations have impacted their relationships, touching on the after effects of modern beauty standards (“Would you start to love me if I tried to lose a little weight?”), as well as the uncertainties that one can feel about their life once their early 20s hit (“Cry when we turn twenty-one, ‘cause life is over, not begun”). Minto also showcases their vulnerability, discussing her own self awareness of what they define as “unhealthy habits” that they often attempt to ignore.
CRAWLERS should truly be on everybody's radar right now, as I imagine that their hard-hitting, energy fuelled tracks and sensitive lyrics are going to be extremely difficult to escape in the coming year; something I very much look forward to.
Words by Rae Garvey
This week’s Artist of the Week is girli - who has just released her third studio album ‘it’s just my opinion’.
Love Rarely bring an intense emo math rock set to Highbury/Islington’s Grace that shows they’re ready for bigger things; with excellent support from the likes of Sunday Best – we’ve just witnessed the first London headline of the next great hardcore band
After years of playing shows, reminiscing over their old bangers and becoming more musically complete than ever, Basement are back after 8 years with their new album ‘WIRED’, showing them off at their most profound and well-versed to date while still maintaining that brutal tenacity they have become renowned for.
Hailing from the infamous city in the north-east of England, the trio have brought their “unequivocally Geordie” anthems straight to the forefront of a London dominated scene.
It’s hard to believe that she’s already been making music for over ten years now, but this is not girli’s first rodeo.
Three years on from their last project, Ohio’s own alternative underdogs take another medley of influences and weld it into a transient and catchy electro-punk masterpiece to usher in their all-new album ‘Halcyon Blues’.
Dundalk shoegazers Just Mustard are as mesmerising as ever, playing a sold-out show at London’s Electric Brixton on Wednesday night.
On ‘Concrete Line’, Cutscene come with the kind of moody, poetic rock that has flourished in the UK and Ireland in recent years.
On the streets of Brighton, a voice once stopped people in their tracks. This September, it’s set to stop a city.
2026’s Brick Lane Jazz Festival, we found joyously rich cultural expression living and breathing in a defiant act of community, a conversation that’s still being written.
Ahead of her new album, Loveland, Suki Waterhouse returns with her latest single ‘Tiny Raisin’.