Chastity Belt - 'Hollow'
Storming their way onto the music scene with their first substantial release in 2013 (the standard-setting ‘No Regerts’), the Walla Walla band Chastity Belt quickly became synonymous with what could be argued, their own completely unique twist on classic indie rock sounds.
Taking influence from 90’s rock and the riot grrrrl scene (see Le Tigre and Bikini Kill guitars veined throughout), the witty and edgy quartet seemingly disappeared without a trace after the release of their self-titled record in 2019, and four years later, they’ve made a surprise, and wholly welcome return with ‘Hollow’.
Not worlds away from previous tracks such as ‘Cool Slut’ and ‘IDC’, ‘Hollow’ sees the band opt for cleaner, more sonically prevalent instrumentation, as opposed to the hazy, almost fuzzy sounds we’re used to.
Featuring soft vocals and a stripped back landscape, melodic intonations and scales reign supreme atop lilty percussive beats and subdued guitar notes, ‘Hollow’ is a completely idyllic and soothing return offering.
Almost parallel to the direction Big Thief adopted for their musical progression in recent years (think ‘Dragon New Warm Mountain I Believe In You’), the narrative orbits around feeling lost and losing sense of self (“real life doesn’t feel real anymore”), and the emotionally charged and deeply personal lyrics offer a sense of comfort and clarity.
Sitting as the first cut to be taken from their upcoming fifth record (the tongue-in-cheek titled ‘Live Laugh Love’), ‘Hollow’ provides an exciting glimpse of what the indie-adjacent outfit still have hidden up their sleeves. They’ve taken time away, matured and refined, and ‘Hollow’ is all the better for it.
Words by Lana Williams
Metalcore’s newest slasher villains have unveiled their most ethereal and gut-wrenching track to date, and while the band may be faceless, the music is uniquely identifiable and truly brilliant.
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
One day like this a year would see me right: Elbow began 2026’s program of Teenage Cancer Trust shows at the Royal Albert Hall with a glorious debut gig at the historical concert hall.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.
Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement.
Foo Fighters show off on new single ‘Caught In The Echo’, it’s the third from their 12th full-length studio album, ‘Your Favorite Toy’, which is out on the 24th of April. Their stadium-ready rock has clearly not reached its peak yet, with ‘Caught In The Echo’ being as exciting as their debut was.
Energy Whores is the electrifying avant-electro/art-pop project led by New York-based artist Carrie Schoenfeld, who has just unveiled their latest album ‘Arsenal of Democracy’.
This week's Artist of the Week is Canadian indie-folk artist Cat Clyde - who has just released her new album 'Mud Blood Bone' via Concord Records.