Do Nothing - 'Happy Feet'
Do Nothing certainly do something with their new single ‘Happy Feet’.
The Do Nothing boys have left fans chomping at the bit for some new kitchen-sink lyricism and post-punk melodies since their 2021 EP Glueland, and this February they have delivered.
Despite the title, the song is not about the smash-hit film from your childhood, but instead about allowing yourself to sit idly for a while, to simply do nothing. In more personal terms for singer Chris Bailey, it is about his own struggle to record and write something meaningful and popular, and that it is acceptable to take your hands off the reins for a while. The frontman states that there is a “hair of difference’ between being in control, and chaos, and so you have to be kind to yourself.
In a more general sense, the motif of allowing yourself to take a breather seems to be targeted to society as a whole. Bailey reassures the listener to “not freak out if you don’t know what you’re doing” as neither does he. The message of this song is relatable, the lyrics sung from an analogist’s perspective, and there’s always room to read between the lines, a fantastic trope of this band.
The musicality of the song is less militant than their usual releases, with a more twee and acoustic feel to the single. It still has the trademark choppy riffs and hard-handed drumming, but with a more pastel and jig-like feel to the song. It is a pleasant demonstration of their musical capability, whilst employing components of their trademark sound.
In addition to the pertinent lyrics and softer sound, the music video is a great unveiling of the song’s meaning. It is unnerving and unornamented, with a black-comedy weaving through it. It is the perfect accompaniment to the track.
Words by Megan Budgen
Electric Picnic announce another 40+ acts joining their 2026 lineup, including the likes of Wolf Alice, DJO and JADE.
Blending 90s nostalgia with a 'fuck work' attitude, The Prodigy’s latest crusade is a laser-drenched masterclass in how to honor a legend without ever slowing the tempo.
Irish band Basht bring a sweltering, electric energy to a packed-out MOTH Club in London on Friday evening.
Sydney hardcore monolith SPEED tear holes through the fabric of the Bristol hardcore scene as they amaze with their killer riffs and beautiful humility.
Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
The legend of the art rock scene herself Kim Gordon delivers a rage against artificial intelligence and a celebration of self-identity at 02 Shepherd’s Bush, with excellent support from rising Brighton outfit Lonnie Gunn.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.
Now, a quarter of the way through the year, with the new American Football album creeping up on us, one feeling seems ever-present. It’s about to be a fantastic year to be sad!