Tones & I - 'I Am Free'
Australian singer-songwriter Toni Watson, better known as Tones & I had the musical success story every artist dreams of. Prior to her breakthrough in 2020, Watson was busking on the streets of Melbourne. Ironically her honest take on the repetitive cycle of entertaining crowds daily to succeed as a recording artist ‘Dance Monkey’ became the smash hit she worked so hard for. It not only made her a household name but broke chart records formerly held by Whitney Houston and Rihanna but became the 3rd most streamed song on Spotify ever.
Three years later, her honesty serves a different purpose on her latest release ‘I Am Free’. Watson revealed more about the standalone track saying “It's about self-reflecting on those relationships, acknowledging that I still carry parts of them with me and taking my share of responsibility for what happened”.
Backed by a choir and orchestra, the euphoric piano-driven anthem is less broody melancholia, more a hopeful vision for the future. While the tarot cards don’t offer much foresight about what is in store for the Melbourne megastar, one thing that is certain is Tones & I will be touring with Macklemore playing shows in Dublin, Glasgow, Manchester, Birmingham and London this April.
Tones & I has made a bright career out of her diary-like admissions that are as catchy as they are candid. It is clear that ‘I Am Free’ is the gripping chapter that makes it clear her story is far from over.
Words by Oliver Evans
Fast becoming one of America's most notable exports - singer-songwriter Matt Hansen has just announced that his debut album 'Orchid' will be out this summer.
Blair Davie opens up about the inspiration behind past, present, and future releases and continues their musical adventures with a series of sold out shows!
This week’s Artist of the Week is girli - who has just released her third studio album ‘it’s just my opinion’.
Love Rarely bring an intense emo math rock set to Highbury/Islington’s Grace that shows they’re ready for bigger things; with excellent support from the likes of Sunday Best – we’ve just witnessed the first London headline of the next great hardcore band
After years of playing shows, reminiscing over their old bangers and becoming more musically complete than ever, Basement are back after 8 years with their new album ‘WIRED’, showing them off at their most profound and well-versed to date while still maintaining that brutal tenacity they have become renowned for.
Hailing from the infamous city in the north-east of England, the trio have brought their “unequivocally Geordie” anthems straight to the forefront of a London dominated scene.
It’s hard to believe that she’s already been making music for over ten years now, but this is not girli’s first rodeo.
Three years on from their last project, Ohio’s own alternative underdogs take another medley of influences and weld it into a transient and catchy electro-punk masterpiece to usher in their all-new album ‘Halcyon Blues’.
Dundalk shoegazers Just Mustard are as mesmerising as ever, playing a sold-out show at London’s Electric Brixton on Wednesday night.
On ‘Concrete Line’, Cutscene come with the kind of moody, poetic rock that has flourished in the UK and Ireland in recent years.
On the streets of Brighton, a voice once stopped people in their tracks. This September, it’s set to stop a city.