Julesy - 'Left Behind'
New York folk-pop singer-songwriter Julesy has just shared the music video for the new version of latest track 'Left Behind'.
Along with recent single "Mouthing Words," the track was originally included on This Current Self Intervention, an EP of songs written during COVID lockdown. "They were both quickly conceived as a kind of cathartic spew of songs that were pent up," Julesy explains. "I was alone in my childhood bedroom making all the tracks, so they were originally all produced by me, and consisted mostly of software instruments. When I got the chance to redo them, I really wanted to incorporate more live instruments, especially since I’ve been playing these songs live with my band for a few years now".
On the new recordings, lived-in, acoustic instrumentation is effortlessly layered with aerial electronics. The conversational lyrics take on new resonance in Julesy's flexible mezzo-soprano range, her preternatural technique allowing her to convey messages unencumbered by the haze of modern life. Strummy, sturdy verses still hover over pools of feedback and electric bass, her most direct tracks delicate homages to a myriad influences and melody-first songwriting.
Of the new single, Julsey offers: "Left Behind was the song that I made first, starting as a bassline and then the rest was added in. I was feeling super lost after graduating college during covid, feeling like I was no longer attached to anything I knew, and was really struggling to feel a sense of belonging in my own actions. I tend to be super headstrong, so a lot of the lyrics are me addressing myself, questioning my own will and my own identity. The production track was really inspired by some of my favorite artists like Imogen Heap and The Japanese House".
Tom Smith’s debut solo album ‘There Is Nothing In The Dark That Isn’t There In The Light’ retains the warmth and optimism of his band Editors whilst slow-dancing to a different sonic heart.
2026 is on course to be the year of CMAT as she lights up Brixton Academy
Hak Baker charms with a heartfelt show at KOKO.
READING AND LEEDS 2026 announce SIX huge headliners
Last year’s Mercury Prize winners English Teacher stunned Camden crowds, delivering an out of this world performance to bring their largest tour ever to an end.
This week's Band of the Week is London newcomers Red Ivory - who have just released their EP 'Please Leave, I Need To Wake Up Now'.
Quebec City punk quintet release blinding single ‘Losing Grip’, with touches of influence from their surrounding genres and a new album on the way, they’ve created a glaring, riff-heavy track to rally behind for an all-new project.
With ‘Rule 31’, Radio Free Alice sharpen their ascent from underground fascination to international breakout, delivering a new wave/post-punk jolt that crystallises exactly why their name keeps surfacing in sold-out venue announcements across the UK, Europe, the US and Australia.
American Express presents BST Hyde Park is delighted to welcome Mumford & Sons back to the Great Oak Stage on Saturday 4 July 2026 - ten years since their last legendary appearance.
The album she thought she would never get to make, Ella Eyre is stunning on ‘Everything, In Time’.
Kneecap, the most incendiary band since the Sex Pistols; will headline their most explosive and biggest show to date at Crystal Palace Park, enlisting an all-timer collection of support acts from The Mary Wallopers to Fat Dog and Gurriers. Back to the belly of the beast, indeed…