Julesy - 'Left Behind'
New York folk-pop singer-songwriter Julesy has just shared the music video for the new version of latest track 'Left Behind'.
Along with recent single "Mouthing Words," the track was originally included on This Current Self Intervention, an EP of songs written during COVID lockdown. "They were both quickly conceived as a kind of cathartic spew of songs that were pent up," Julesy explains. "I was alone in my childhood bedroom making all the tracks, so they were originally all produced by me, and consisted mostly of software instruments. When I got the chance to redo them, I really wanted to incorporate more live instruments, especially since I’ve been playing these songs live with my band for a few years now".
On the new recordings, lived-in, acoustic instrumentation is effortlessly layered with aerial electronics. The conversational lyrics take on new resonance in Julesy's flexible mezzo-soprano range, her preternatural technique allowing her to convey messages unencumbered by the haze of modern life. Strummy, sturdy verses still hover over pools of feedback and electric bass, her most direct tracks delicate homages to a myriad influences and melody-first songwriting.
Of the new single, Julsey offers: "Left Behind was the song that I made first, starting as a bassline and then the rest was added in. I was feeling super lost after graduating college during covid, feeling like I was no longer attached to anything I knew, and was really struggling to feel a sense of belonging in my own actions. I tend to be super headstrong, so a lot of the lyrics are me addressing myself, questioning my own will and my own identity. The production track was really inspired by some of my favorite artists like Imogen Heap and The Japanese House".
Returning for their first full-length album in 5 years, Tigers Jaw, a band that needs absolutely zero introduction, bare all in their brilliantly prudent new album ‘Lost On You’.
The Boxer Rebellion’s ‘The Second I’m Asleep’ — a reflective return from indie’s quietest survivors.
Five years after the striking and heartbreaking Valentine, Lindsey Jordan returns with her third studio album, Ricochet, a record that feels less like a diary entry and more like a transition into adulthood.
Don Broco’s fifth studio album, ‘Nightmare Tripping’, feels like a culmination of the group’s journey over the past (nearly) two decades: and you’ve got to love them for it.
One day like this a year would see me right: Elbow began 2026’s program of Teenage Cancer Trust shows at the Royal Albert Hall with a glorious debut gig at the historical concert hall.
U, suggests that once you’ve built a world, the only thing left to do is burn it down and wander around what is left, which in this case, is pure magic.
Rising artist Nessa Barrett has long flirted with the intensity of emotional candour, but her brand-new EP, Jesus Loves a Primadonna, crystallises that daring into a fully realised artistic statement.
Foo Fighters show off on new single ‘Caught In The Echo’, it’s the third from their 12th full-length studio album, ‘Your Favorite Toy’, which is out on the 24th of April. Their stadium-ready rock has clearly not reached its peak yet, with ‘Caught In The Echo’ being as exciting as their debut was.
Energy Whores is the electrifying avant-electro/art-pop project led by New York-based artist Carrie Schoenfeld, who has just unveiled their latest album ‘Arsenal of Democracy’.
This week's Artist of the Week is Canadian indie-folk artist Cat Clyde - who has just released her new album 'Mud Blood Bone' via Concord Records.
I Wanna Be a Cowboy, Baby! CMAT takes over a sold-out Ally Pally with a riotous, shenanigan-ridden performance for her biggest headline show to date.