SUUNCAAT - 'Signs'
SUUNCAAT has returned with a devastatingly beautiful act of self-exorcism in new single ‘Signs’.
Known for fusing hyperpop’s volatility with cinematic scope, SUUNCAAT threads pain and divinity through every frequency, and ‘Signs’ might be her most personal invocation yet.
Built on fractured drum & bass pulses, spectral synths, and melodies that cut like glass, the track refuses to settle. It shifts from hushed intimacy to near-religious intensity, mapping the emotional topography of an artist confronting her own origin story. At its core lies the “golden violin child,” a haunting self-portrait of early giftedness and its physical toll. When the violin finally enters, serrated, ghostly, it lands like both confession and confrontation.
The lyrics, poised between worship and self-erasure, mirror this duality, “Night time mirror eyes go everywhere / gold child you’re the sign we’ve been waiting / don’t you realize you’re god, you decide.” They echo the dangerous intimacy of being idolised and how easily love turns into consumption.
The music video, co-directed with long-time collaborator Alexia ‘Rebie’ Lecours-Cormier, extends the song’s mythology into a cinematic rite. Rebie plays SUUNCAAT’s spectral double, part demon, part mirror, channelling Hexadecimal-like chaos through lush forest rituals and eerie mountain tableaus. Think Jodorowsky meets ReBoot, with a touch of baroque surrealism.
Although there is no resolution by the end of the last note, there are signs. It’s about surrendering to pain, to creation, to the endless loop of becoming and undoing. ‘Signs’ is another beautiful addition to SUNNCAAT’s music catalogue as she continues to build worlds where divinity and damage share the same pulse.
‘Signs’ marks a new chapter in SUUNCAAT’s ever-evolving vision: fearless, unflinching, and utterly singular. It’s a song, a myth, and a cinematic experience all at once; proof that she’s redefining what pop can feel like.
Words by Danielle Holian
