Azamiah - 'Two Lands'
Rising four-piece Azamiah have announced details of their new EP ‘Two Lands’, out digitally and on 12-inch single on June 3rd on Floating World Records.
Primed to be the next group from the UK jazz underground to break out, Azamiah draw on jazz roots while touching on everything from James Blake’s production techniques to dubby low-end, taking the listener on a journey across moody and light landscapes. Their 2023 debut album ‘In Phases’ won praise from The Skinny and CLASH and received plays on BBC 6Music and NTS.
A 2024 performance at Latitude festival’s intimate woodland arena saw the group gain the attention of prestigious label Floating World Records, who immediately came on board.
Electric Picnic announce another 40+ acts joining their 2026 lineup, including the likes of Wolf Alice, DJO and JADE.
Blending 90s nostalgia with a 'fuck work' attitude, The Prodigy’s latest crusade is a laser-drenched masterclass in how to honor a legend without ever slowing the tempo.
Irish band Basht bring a sweltering, electric energy to a packed-out MOTH Club in London on Friday evening.
Sydney hardcore monolith SPEED tear holes through the fabric of the Bristol hardcore scene as they amaze with their killer riffs and beautiful humility.
Massive Attack and Tom Waits collaborate on evocative song ‘Boots On The Ground’.
Lifted from their fifth and final studio album, Kodaline return with their new single ‘We Were Only Young’, via Concord Records.
Where restraint gets mistaken for emotional intelligence, LØLØ opts out entirely, feeling too much, too loudly, and saying it exactly as it lands. It’s chaotic, occasionally unhinged, but never careless. Against the odds, it sticks the landing.
The legend of the art rock scene herself Kim Gordon delivers a rage against artificial intelligence and a celebration of self-identity at 02 Shepherd’s Bush, with excellent support from rising Brighton outfit Lonnie Gunn.
DID YOU ASK TO BE SET FREE? draws a tear-stained line in the sand; and the result is, fittingly enough, true liberation, as the band settles into the best version of themselves.
Blood Wizard’s free flowing experimental approach takes them into a new chapter.
Superbloom reveals that Jessie Ware has mastered the art of the grown-up pop record without sacrificing an ounce of its hedonistic thrill.
Now, a quarter of the way through the year, with the new American Football album creeping up on us, one feeling seems ever-present. It’s about to be a fantastic year to be sad!