Ruti - 'So Much More'
Ruti’s new single ‘So Much More’ is a husky, soulful showcase of the self.
Ruti who first penetrated the music industry by winning The Voice in 2018, has debuted a song which demonstrates her individual musicality, and it is beautiful. The track’s intro uses Ruti’s own voice as a melodic instrument, and is utilised as a bassline during the song’s entirety. This effect, combined with Ruti’s sultry and warm vocals, proves to be a treat to kick back and vibe to.
This single cannot be pigeon-holed into one genre or another, and it speaks to Ruti’s virtuoso and wide-reaching talent. This song will appeal to fans of jazz, should & lo-fi, and is the perfect smooth track to wind down to. This is not to say that there is no power in Ruti and Jordan Rakei’s collaboration. Ruti’s raspy, airy voice builds naturally, and by the second half of the song she tells us that she’s “so much more than you could ever ask for”. She knows her self-worth, and so do we.
Ruti has released a handful of singles from the pandemic until now, and her 2023 “So Much More” release is another gem in her arsenal.
Words by Megan Budgen
Emilie Reid takes us on an eighties synth driven journey on new single 'Prince of the Groove'.
Lo-fi London rockers heavy wild have just released their sophomore EP 'Paradise Forever' via Submarine Cat Records.
On a single released a couple of week before Halloween, the horror-movie style sound collage at the beginning of HOWDYPARTNER, coupled with the undoubtedly weird cover artwork, seems to offer an unsettling piece of spooky-season black magic.
Through perspiration and perseverance, Guilt Trip have hand-crafted not only the perfect tour lineup but the perfect encapsulation of everything it means to exist within the hardcore ecosystem on their recent run of shows.
“You’ll never be alone again”, sings Mancunian’s finest wordsmith Antony Szmierek, and it’s hard to argue with him after a joyous night filled with dancing in a sold-out Kentish Town Forum to his garage beats and spoken-word. Nobody felt alone that night, that’s for sure.
Back to the drawing board or serrated riffs and verbose effect compilations, Cleopatrick have returned to form with new single ’WHAAT’
There’s no venue quite like The Cluny, with its history and reputation as well as its programme of incredible bands trotting through its doors every day of the week. On Sunday it was Quiet Houses’ turn, with support from May Payne they won over the hearts of their fans, existing and new.
Doom, dystopia and a sense of hope that feels scarily out of reach in Dopamine Chamber sees Fontaines D.C. cementing themselves not just as one of the best, but as THE best there is.