Sam Fender returns with his incredible third album, ‘People Watching’, which is set to propel him to even greater heights.
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Killswitch Engage's cross-genre appeal is broad and a testament to their longevity that has seen them live up to the hype of a long-awaited return; built up with plenty of anger after over six years away.
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The Sherlocks are honing in on their craft, solidifying themselves as one of indie rocks essentials.
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Hands Like Houses soar through the skies on the wings of their new vocalist, Josh Raven, with fifth album ‘Atmospherics’.
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A strong statement album that follows the trend of a variety of bands formed in the 90s coming to reckoning with the transition between the analogue and the online and the growing sense of isolation that comes with that.
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Pulsating, Denver, rock trio, The Velveteers pull out all the stops and replace them with daggers on their much awaited sophomore project, A Million Knives.
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Indie Icons The Wombats show no signs of slowing down as they unleash their fantastic sixth album: ‘Oh! The Ocean’.
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Inhaler has returned with their third studio album, ‘Open Wide’, released via Polydor Records. This latest offering showcases a band unafraid to evolve, blending their signature arena-ready anthems with newfound musical explorations.
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Squid are more than just mere experimentalists. They are wizards in their ability to craft storytelling - and Cowards is just another chapter in that.
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Sarah Klang is raw and honest on her stunning new album Beautiful Woman.
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Heartworms captures the essence of post-punk sentiment in grandiose electronic form.
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Derived from the wild North Yorkshire Moors, Avalanche Party return with feral follow-up, Der Traum Uber Alles. And for the record, it's a real humdinger.
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A dream in the making and a milestone to remember, rising UK star RØRY is marking her 40th birthday with the rejuvenating release of her debut record Restoration.
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R&B icon Eddie Chacon continues his musical comeback with new laid-back album Lay Low.
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KAWALA bow out in style with their final offering: ‘The KAWALA Collection’.
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Thirty years into an unlikely career as standard bearers of post-rock, the Scottish quartet returns with album number eleven, ‘The Bad Fire’. Warning: it might get loud.
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Asphodels by The Veils starts the year beautifully fresh and cold.
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If there was just one word to describe Bilk, it would surely be unapologetic.
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Victoria Canal’s ‘Slowly, It Dawns’ is a debut album years in the making, but the graft pays off with a dazzling set of self-empowerment pop gems.
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Pastel’s debut album is a tribute to a time now gone in British Rock.
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