Punk? Indie? Shoegaze? Alt Rock? Call it whatever you want, but there is absolutely no denying that Citizen’s new album is nothing short of brilliance.
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Get those hearts racing, get the adrenaline pumping, and get on the dance floor. It’s time to inflict some TANZNEID upon civilisation.
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Buffalo Traffic Jam’s long-awaited debut album finds beauty in vulnerability, weathered vocals and stories that feel lived rather than written.
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Charli xcx trades the persona for the person on her most honest album yet.
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From Houston to heartbreak: Love Spells’ emotionally captivating debut.
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Shania Twain finds the girl who never got the memo that genres exist.
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There is magic in that new record, and it’s a blessing in a black-and-pink colourful disguise.
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Nia Archives finds the drums of a broken heart.
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After over a decade of records, tours, festival appearances and everything else a band can dream of, Brighton band As It Is are showing no sign of stopping now.
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The jury’s still out on what their best album is, and a case can be made for all six, but this may just be the most important album the XCERTS have made yet.
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Ohio metalcore heavyweights release huge bumper series worth getting to know.
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Galway’s fiercest new noisemakers, Shark School, show they are a force to be reckoned with on their debut album, Selachimorpha.
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At just over fifty minutes, Dear God is an immersive and rewarding listen that showcases The Pretty Reckless at their most focused and emotionally resonant.
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Pyncher really means it this time with a memorable EP that refuses to fit in.
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Australian psych rockers Pond are a prolific outfit that have returned with their 11th record – Terrestrials.
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‘A Broken Chord’ pushes Oral Habit to their sonic limits that show the world what the psych/punk/Kraut band is capable of – have we found the next Osees?
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Modest Mouse return with ‘An Eraser and a Maze’, their first album since 2021’s ‘The Golden Casket’. Thirty years on from their debut, Isaac Brock and company are less interested in marking milestones than in dealing with time as it passes.
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As if sunshine was music, Jeff Goldblum’s ‘Night Bloom’ is simply joyous.
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There are few shows more abrasive; loud, chaotic and brash than a Guilt Trip show. Their live pits are a tour-de-force of sheer brutality and mayhem, and the Manchester outfit translate that superbly well onto their new album that’s as hardworking as the city they come from.
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