This week's Band of the Week is Chicago band Smut - who have just released their new album 'Tomorrow Comes Crashing' via Bayonet Records.
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Anna Tivel has just shared the title track from her upcoming album 'Animal Poem' - which is due out on August 29th via Fluffy & Gravy.
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California-based psych-garage maestros Osees still remain one of the most energetic and exciting live performers in modern music, with frontman John Dwyer’s infectious energy and ingenuity making for one hell of a show.
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Royel Otis’ latest single, ‘car’, makes for a dreamy addition to their indie-pop aesthetic. Filled with warmth and nostalgia, it compliments any and all summer playlists.
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Mëi just released their warped ballad 'paperweight' - a track about dysphoria and the wanting to disappear. Dealing with body image issues existential dread.
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Lithia has just released their new track 'Badlands' - a growing cinematic anthem that takes you on a waltz between alt rock and hazy prog drive melodies.
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Ever the abstract auteur, Barry Can’t Swim adds a sprinkle of sonder to the club with introspective second album ‘Loner’.
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This was a show I had long looked forward to, and my expectations were absolutely blown out of the water by artist and showman Josh Tillman, better known as Father John Misty.
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Hot Milk can’t stand still. They have to scream and shout and, if possible, make a difference. With an unrivalled understanding and a punk-rock perspective, Hot Milk gives western politics the business with ‘Corporation P.O.P.’
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New names from pop to punk join an already stacked lineup, as Reload and Smirnoff stages debut for 2025.
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This week's Artist of the Week is US Americana-folk artist Jess Kerber - who has just released her debut album ''From Way Down Here'.
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Benson Boone’s sophomore album, American Heart, is the perfect follow-up album to his debut, Fireworks & Rollerblades.
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Sparks electrify the Eventim Apollo.
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Nick Mulvey charms the Union Chapel.
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Kara Jackson performs one of her last London shows in this current form by sending off a goodbye to one of the best albums of the decade with a powerfully intimate set as part of Little Simz’ Meltdown Festival at the Southbank Centre.
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Despite the sweltering heat, upstairs at The Lexington was packed out with people wanting to see The County Star himself, Kean Kavanagh, on Tuesday night.
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Haim are back with their much anticipated gutsy fourth record I Quit.
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Download 2025. The sun was out, the speakers were blaring (unless they’d been confiscated), and it was time for Donington to descend once again into the throes of metal-induced madness.
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Dominic Harrison may have grown up, but the spirit of Yungblud will never get old.
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The Sick Man of Europe is one of the freshest voices to emerge from London’s underground music scene with a distinctive Joy Division-stylised techno vibe that offers up one of the best debut albums of the decade.
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