Delving into groovier sonic spaces, Gengahr’s latest cut is a juxtaposing expression of discontent and the downfalls of escapism. ‘Heavenly Maybe’ comes with a funk-laden oil slick of cool that oozes throughout Felix Bushe’s laments on the darker side of running away from your problems.
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Jakk Fynn talks to us about his music video for electro pop banger, ‘Fire’, which uses bleak, post-apocalyptic setting to explore how society rigidly imposes gender constructs and sexual identities, while leaving the visuals open to be relatable to other experiences and narratives.
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Anson Seabra explores failed love and breaking out of the cycle of familiarity on emotive single, ‘Last Time’.
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Tokyo Tea Room have just released their ‘Dream Room’ EP via A Certain Kind Record. The release is four tracks filled with synths and rhythm section grooves fueled by dreamy psych-pop and shoegaze. Something to easily lose yourself into. The band took a moment to talk to us about the EP - track by track.
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We chat with Rudd and Looby from Dat Brass about life on the road as they get set to wrap up their expansive UK tour with a homecoming show at London's Jazz Cafe on the 3rd December.
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London/Brighton trio Johnny Kills have released their anxiously fun debut EP Panic. If you’re a fan of surf garage rock bands such as FIDLAR, you need to get these guys on your radar. Johnny Kills write scuzzy pop garage guitar music that you can’t help but love.
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Shy Parlour combines minimalistic electronic influences with an analog touch on affecting current single, ‘Ghosts’.
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We speak to The Arthur Brothers about their heart-warming animated visuals (created by Loribo (Natalia Beltyukova)) for their cosmic symphonic pop single, ‘Lovesunk’ which explores unrequited love and stars a lovely little mole as its main character.
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2019 has been quite the year for JNR WILLIAMS, the young soul singer from Hackney started with his first EP ‘Where We Start’. Which provided a perfect introduction to his beautiful style and voice, and now he ends his year with his second EP ‘Withers On A Vine’. He talks us through his creative journey between his two EPs, and the visuals for lead single ‘Us In Major’.
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Slam Dunk’s line-up is starting to pad out nicely, with another host of names sprinkled on the already stacked lineup.
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Taking over London's EartH Hackney, Rhys Lewis serenaded us with an evening of stripped back ballards and a cheeky early christmas number. Having just returned from a US tour supporting Julia Michaels the Oxford native gave us a taste of what to expect from his upcoming album. Photographer Patrick Gunning was there to capture the action from his London headline show.
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Toronto based singer/songwriter Tasha Angela has released the visuals for her latest single ‘Lost In Nostalgia’, which is out now via Public Records Inc. It sees director angelicamilash inviting viewers to take a trip down memory lane, Tasha took a moment to discuss the track in more detail and the visuals behind it.
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Singapore-based duo Causeway Youth share emotionally driven, atmospheric indie rock on affecting single, ‘Places’
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With an EP due for release in January next year, indie pop-bunkers Abandon Ship see out 2019 with the release of lead single ‘Say The Word’.
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The newest signing to Black Butter - LORYN has just released her single ‘Something New’. It is the second offering of Loryn’s expressive songwriting that fuses electronic and acoustic sounds. She talks us through the inspirations behind the track.
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US pop artist Patrick Martin has just dropped his new EP - ‘Wonder Years’, which features four brand new tracks around the theme of dark and light love. He took a moment to talk us through the release - track by track.
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Irish alternative band Havvk have just released their debut album ‘Cause & Effect’ via Veta Records. They took a moment to talk us about the release - track by track.
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Check out our weekly top tracks this week on Spotify, featuring The Big Moon, Nia Wyn, Vistas, Chelcee Grimes, ALMA, JC Stewart, Nelson Can, Vukovi, Navvy, The Japanese House, James Deacon, TYGERMYLK, Black Fly, Yaeger and Fennie.
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